Y-3 by Yamamoto Catwalk Fashion Show New York FW2010

On the most romantic day of the year, Valentine’s day, Yohji Yamamoto showed us a very dark side of love.

It all began so well with models handing out red roses to all people sitting front row. Yet after that it turned dark as the Prisoner of Love theme took over.

On his designs Yamamoto had written text like ’23 Years in prison – 20 = Y3′ and ‘Marriage – Love = Run’. Combined with Paul Simon’s track ’50 ways to leave your lover’ it all made up for a dejected vision of love.

Still, the dark side of love seemed to work for Yamamoto. His unexpected proportions, layering and mix and matching never looked this good. We liked his long coats, loose pants, asymmetric skirts and loose woolly capes. And through his use of black and gray the designer managed to add some refreshing bright red, orange, yellow and blue.

Lots of black and white stripes represented the Prisoner of Love theme and on some shoes, bags, hoodies and belts they stood for Adidas.

It appeared that after a miserable year in which Yamamoto almost went bankrupt the designer was able to show more of himself in the Y-3 collection for Adidas.

The collection appealed to us. Though it didn’t necessarily need the masks, bandit scarfs and the fight at the end in which Yamamoto punched a male model down and got punched by a female model himself.

Streetfashion FW2010 New York Day 1

What are you wearing during the coming fashionweeks? Your Burberry-boots, your latest D&G-vest or that vintage YSL? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York.

Alexander Wang Catwalk Fashion Show New York FW2010

It looked like Alexander Wang took the traditional banker’s uniform – the darkblue pinstriped suit – deconstructed it and put it together again. The result was sexy and dark, almost with a Belgian touch. But where designers like An Demeulemeester and the early Martin Margiela put a lot of effort in the making, the cut and the fit, it seemed Wang aimed more at the effect. Cropped blazers, tailcoats and vests exposed flashes of skin and were worn with thick thigh-high legwarmers and chunky heels. Layering also played a part in this collection, but was less relaxed. For evening and partywear Wang chose velvet and chenille.

Jason Wu Catwalk Fashion Show New York FW2010

Everybody talked about Jason Wu’s inspiration, photographer Irving Penn, but you better ignore that. The designer just wanted to do something different than the princess-like clothes he’s famous for thanks to Michele Obama. So Wu took a good look at menswear – that’s where the personal style of Penn comes along – and morphed influences into pretty womenswear with a mannish touch. He presented short sleeved jackets, oversized cashmere coats,  mohair sweaters and fold-over pants. The overall look had an appealing, relaxed sensibility. Grey, black, white and blue were the main colors with splashes of mustard, orange, yellow, golden and green.

In the end Wu just couldn’t resist to design a few real princess-dresses, just for the fun of it. I’m sure a few of those will return sooner or later at the White House or some red-carpet event.

Catwalktrends ss2010: showstopping shoes

The designers gave the models a hard time walking the runway to show the spring/summer collections. The shoes they had to wear often had eye-catching shapes and heights.

The shoes in the Jil Sander show had iron pins for heels. Donatella Versace used platform shoes. John Galliano’s shoes were extremely high and his stiletto heels seemed to be made of colored pearls. Chanel introduced a few clogs.

Some models in the Dsquared show had spikes all over their shoes. Viktor & Rolf embellished theirs with pink flowers, Vivienne Westwood decorated hers with wings. Matthew Williamson’s shoes had bows.

Next to the ultra high shoes we saw ultra-flat sandals (Issey Miyake, Anna Sui, Valentino, Lacoste, Etro, Armani, Chloe). Those sandals, snake leather and wearing socks in open shoes seem to become the trends for this spring.

Of course the Alexander McQueen shoes were real showstoppers. His shoes were high, had crazy alienated shapes and had reptile prints all over them. Gaga oehlala…

Catwalktrends ss2010: really tiny bags

Tiny bags definitely seem to be a trend on the runway. Yet they are very unpractical, because there aren’t many items that will fit in these bags.

But can we still call it a bag? Most versions we saw on the runway looked more like extraordinarily shaped purses, if you ask us.

The bags may be unpractical, yet they created some funny looks on the catwalk. Extremely tiny were the bags in the Anteprima, Blugirl, Bottega Veneta, Etro, DSquared, Fendi and Moschino fashion show. .

Most original were the Fendi bag with spikes, the pink bag form Gianfranco Ferré, the wooden ‘bag frame’ from Stella McCartney and the silk heart shaped bag from Moschino.

Unfortunately you’d have to keep most of these tiny bags in your hand all evening, but do they look cute!

Catwalktrends ss2010: Headbands

Although many designers gave their models a natural look and let their hair hang loose, some of them experimented with the model’s hairdo’s. We saw braids, we saw curls and we saw headbands!

Stefano Pilati created the most outstanding headband-look for Yves Saint Laurent. His girls wore the zig zag headbands you may remember wearing when you were a kid. Yet his models didn’t just wear one of them; it must have been at least ten headbands per model.

Then we had the Hermes models who wore wide headbands, some with a snake print. In the Bottega Veneta show all girls wore the same white ones. At Lacoste the models got a braided white version or a colorful striped one. And Michael Kors’s models showed some transparent plastic ones that matched with his bracelets.

Marc Jacobs of course used his headbands with bow and Sonia Rykiel had the black flat circular ‘hats’ attached to hers. Sienna Miller gave her girls a turban-looking headband for her Twenty8Twelve show.

Beautytrends ss2010: frizzy hair

While we’re spending millions on hair straighteners and anti-frizz products the frizzy hair look is promoted big time on the catwalks.

In many shows the models’ hair was messed up and looked frizzy. At the Etro, Westwood and the Sonia Rykiel show the hair looked extraordinary. And what about the big Afro-wigs at Vuitton!

Of course the frizzy hair had to be the look of Sonia Rykiel’s models. That hairstyle has become the brand’s trademark. Other fashion brands must have chosen the look because they wanted to show something else, not because it looks so good.

The frizzy hair trend could be catastrophic for the economy. Yet it would be a solution for all women who’ve died, bleached, curled and straightened their hair so much that it has become frizzy itself.

Trends ss2010: the men’s skirt

The men’s skirt has been all over the news lately. Maybe because fashion brand H&M recently introduced a men’s skirt for their spring/summer collection 2010. And usually when H&M comes up with a trend it is picked up by many followers.

Of course H&M is not the first brand to introduce the men’s skirt. We’ve seen this fashion item on the runway for years. One true lover and wearer of skirts is designer  Marc Jacobs, who takes his bows most of the time dressed in a kilt.

This year there were some skirts in the menswear collections as well. At Thom Browne we spotted an ultra short version, at the show of Jean Paul Gaultier (one of the first designers with skirts for men)  the skirts were much longer. Rick Owens’ models wore multiple layers, one of those layers being the skirt. Other brands which had skirts in their collection were John Galliano, Francisco van Benthum and Kris van Assche.

We’re very curious if the skirt will become the trend for men in 2010.

Groupielove # 12

Narciso Rodriguez embraced his softer side for spring summer 2010. And it made for a stronger collection. The vibe was still plenty sexy, like the killer sheath color-blocked from jute linen canvas and black silk jacquard.  A pair of shifts, one in white, the other pink, came with graphic cutouts on the upper back, while another dress was essentially a mesh tank with strategically placed ovals of printed fuchsia silk. All three were revealing without being vulgar, a balance other designers have had some difficulty achieving this season.

But Rodriguez also loosened up the silhouette dramatically, letting the air in, so to speak, on everything from a white silk, linen, and organza bubble dress to a silk mud-cloth coat. The show ended with a trio of short-in-front, long-in-back tent dresses that took this concept to the extreme. Chic, modern propositions for a black-tie evening, they billowed dramatically behind the models in the runway breeze.

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