Gareth Pugh Catwalk Fashion Show Paris FW2010

Gareth Pugh may have used a softer approach for his fall/winter collection, his models – with black sprayed foreheads – looked as Gothic as they ever did. They wore heavy, stiff, leather designs and some transparent pieces. Many clothes were pointy to the sides and a lot of the fabrics had frayed ends.

Strong were the women on the runway, dressed in Pugh’s long silhouette accentuating pieces. They looked quite the opposite of some of the male models, who were dressed in tight pants and a rigging or a tank top.

Many of the clothes touched the floor as the models walked the runway. Especially the wide legged male pants were floor-sweeping.

A lot of attention went out to the collars of the designs. They came in many variations (pointed, standing, folded) and looked out of the ordinary.

The show pieces in Pugh’s finale must have weighed a few pounds extra while they had lots of gray chains attached to them. We didn’t immediately jump off our seats when we saw those, but they sure fit perfectly with the Gothic feeling of the show.

Rochas Catwalk Fashion Show Paris FW2010

The Goldie Hawn movie ‘Cactus Flower’ from 1969 was the inspiration for Marco Zaninin’s third collection for Rochas. And so we could tell. Most of the outfits could have come straight from Goldie’s wardrobe for that movie..

The clothes were colorful, very retro and as Zanini put it himself: ‘smiley and joyful’. Every look, with unexpected combinations of shades and fabrics, made us more excited.  And suddenly a turquoise skirt, a yellow lace top, a gray coat, a purple ribbon bow and deep red gloves didn’t look all that bad together. Woolen cardigans with elbow patches formed a good mix with small belts and long gloves as well.

Everything had a great sixties/seventies vibe:

The golden lame, used for some pants, dresses, skirts and tunics.
The pink, brown and beige color combinations.
The ruffled collars and wide sleeves.
The metallic fabrics.
The pant suits
The tunics
The cropped pants.
And not to mention the model’s big hairdo’s!

This Rochas collection might have been very diverse, yet Zanini’s craftsmanship held all pieces together perfectly.

Streetfashion Paris FW2010 Day 1

What are you wearing during the coming fashionweeks? Your Balenciaga-heels, your latest Marni-dress or that vintage YSL? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris.

Dries van Noten Catwalk Fashion Show Paris FW2010

It was a different setting and a different collection at Dries van Noten. Especially after his colorful mix & match of east & west this spring, and the show he held in an empty and  stripped bank. His casual/elegant fall/winter collection was presented in one of the gilded salons of the Hotel de Ville. Malcolm Mclaren did the soundtrack: sweet and classical with angry singing.

Army green became elegant and feminine when used in tailored skirts, pants and sleeveless trench-like coats. Gray popped up in tailored jackets, big sweaters and dresses. The hourglass silhouette was also present here, thanks to the  full skirts.

The realist floral prints (in red, blue and green), men’s inspired jackets and animal prints gave it just that rebel feeling. But also because it looked like these women just put their outfit together without thinking too much about the effect and result. This was how they felt and how sthey wanted to look.

Beautiful. Casual. Sensual. Original. Femine.

Next stop: Paris Fashion Week fw 2010

McQueen’s label will live on

Alexander McQueen’s fashion label will live on despite the designer’s suicide last week. PPR, the French luxury group which has a controlling stake in the designer’s companies, said it planned to build on the McQueen brand.

Francois-Henri Pinault, president of PPR said at a press conference in Paris: “The Alexander McQueen trademark will live on. This would be the best tribute that we could offer to him.”

Robert Polet, president of PPR’s Gucci subsidiary under which McQueen worked, said the autumn/winter collection the designer was completing before his death will be shown at Paris fashion week next month.

Hair & Make-up suggestions for the Oscars

When going to the Oscars not only your dress has to look stunning. Your hair, as well as your make-up, has to be mind-blowing. Your overall look just need to be special and different from any other party or award show.

Thus, just letting your hair hang loose is not an option. It has to look like you put some effort into it. You’d have to pin it up, let it braid or let it curl.

The all-time favorite hairstyle at the Oscars seems to be a classical pinned up style. Perhaps finished with a nice hair accessory and eye-catching earrings. Yet while braids have got very popular last year we might see some of that at the Oscars as well.

At the haute couture shows in Paris the hair and make-up looked dramatically over the top. Big, old-fashioned hairstyles were presented and some of the make-up felt a bit drag queenish. Yet trends at fashion shows always get extremily magnified. So it’s good to get some inspiration from it and turn it into your own style.

Just always keep in mind that the Oscars deserve an ultra special look.

Armani Privé Haute Couture Catwalk Fashion Show ss2010

It was obvious that Giorgio Armani’s haute couturecollection was all about the moon. It was in the colors – from midnight blue to moon-white – in the buttons and closures, in the rounded silhouette, in the curvy cutting and in the embroideries made to look like craters of the moon. For evening there were sparkling silver beading at dresses, pale metallic pinks and greens and many shiny sequins.

Surely there are some designs we will see again during the Oscar Awards. Especially the long, figure-narrowing dresses in black with white or cream.

Christian Dior Haute Couture Catwalk Fashion Show ss2010

Elegant amazones walked the small runway at the first floor of the Christian Dior store in Paris. Kylie Minogue was sitting front row, as was Dita von Teese and Tavi, the 13 year old fashionblogger from Chicago.

John Galliano took a picture of couturier Charles James as his inspiration for the ss2010 haute couture-collection. And it was a sensory overload as usual. This time Galliano’s researchtrip went to the Metropolitan Museum where the gowns of Charles James caught his eye. There he saw a  picture of the designer – who influenced Monsieur Dior to come up with the New Look – with an image of women riding sidesaddle in the backround. The result is a collection full of riding skirts with nip-waisted jackets, frothy cocktail dresses and satin ballgowns. Colors went from black, white an red to purple, orange, green and pastelshades.

The refined elegance, the strong women and the longer skirts and accent at the waist will influence a whole new silhouette for the coming seasons.

Come back of Thimister

Josephus Thimister (47), from Dutch origins and an promising talent of the Belgian school in the late nineties –  made a come back last sunday with a self financed haute couture collection.

Bloodshed and militairia were the two themes he wove into his haute couturecollection for fall 2010. Thimister took his inspiration from a photograph of Tsarevich Alexei Nikolaevich, Emperor Nicholas II’s murdered 13-year-old son, who was routinely dressed in uniform as a boy. The result was a collection men’s and womenswear mixing romanticism (in red, white, army-green) with a raw-edged minimalism: tank tops and jodhpurs splattered with fake-blood, officer’s jackets, narrow dresses, army cats and jumpsuits. Thimister told style.com he’d used resonances from World War I because “what happened then was the start of modernism: war, sorrow, destruction we’re still dealing with now. And the lack of creativity and spirituality”.

Do you want to know more about Thimister? Read this interview at style.com: www.style.com/stylefile/2009/12/josephus-thimister-has-nothing-to-lose/

« Previous Page — Next Page »