D&G Catwalk Fashion Show Milan FW2010

The D&G-girl won’t get a cold that easily next winter. She can dress head to toe in sexy, comfy, warm Nordic knits with a pair of big furry snow-boots at her feet.

Domenico Dolce and Stefano Gabbana continued the ski-theme of their menswear-collection for next fall, but without the thick, blown up ski-wear. Their womens-collection was all about the big sweater – worn like a short dress with a belt-, shorts, vests and overalls in Nordic patterns (red, black and white). The pattern even turned up as a print on their jeans. The knits were not bulky, but more streamlined – and sometimes very tight – and mixed wonderful with the airy dresses, long skirts and blouses.

Of course this was a true commercial collection, but with lots of stuff to love. Ski-fashionistas will go for the glitzy ski-goggles, while a citygirl will love the warm vests, big bags and snow-boots. We’ll leave the furry bloomers and strapless, knitted tops for the advertisements.

Ralph Lauren Catwalk Fashion Show New York FW2010

After his ode to the American workers during the Depression, Ralph Lauren decided to take a more romantic road to fashion. The collection looked almost vintage Ralph Lauren, with its dark Edwardian touch, lots of velvet, black, burgundy and flowerprints.This is a style we know so well and which made him famous.

Ralph Lauren’s skill is to make the predictable look fresh. But he also to adds a discreet sexual vibe to male/female combinations. Jodhpurs curved to the waist and velvet vests were bodyhugging. The outerwear was plentiful, strong and mannish.

Long chiffon skirts and dresses reminded of Lauren’s favorite prairie-dresses, they were often mixed with long coats.

Jeremy Scott Catwalk Fashion Show New York FW2010

“I can be a freak, every day of every week” sang Estelle – part of the soundtrack at the show of Jeremy Scott. Well, you can say that from the designer himself too, and he seems to wear that slogan with pride.  He is the guy  who makes coats of Mickey Mouse gloves and dresses in Flintstones prints.

His fall collection was named Hanger Appeal, and contains a mix of sporty print pieces, restyled classics (like tuxedo’s) and a section with jewel and cross covered dresses.

Narciso Rodriguez Catwalk Fashion Show New York FW2010

Narciso Rodriguez let his signature codes — sleek, a-symmetric cuts and architectural details — rule his fall winter collection. The collection was full of good, studied clothes, grounded in controlled silhouettes, which packed commercial appeal and were a bit on the safe side.

Sleek but sturdy outerwear, much of it reversible, was the message for the day. A parka,  a thick, shearling jacket with a wrap funnel collar  felt protective. Rodriguez’s razor-like cut-outs, slashed across the shoulder, or a sliver down the chest, came into play on glossy silk dresses for the evening.

Anna Sui Catwalk Fashion Show New York FW2010

The first word that came to our minds when watching Anna Sui’s fashion show? Folklore.

With a stained-glass rendering of a Woodstock landscape in the background the models presented the most colorful outfits, the busiest prints and the most unexpected combinations of fashion items.

Every piece of clothing the hippie-chic girls had put on, was screaming for attention. Even Anna Sui’s tights were out of the ordinary. Yet the American designer mixed and matched all clothes and accessories in such a way that it looked all right. In fact, we’d almost belief wearing an embroidered suede dress with a jacquard blouse, printed tights and a big necklace was the only right way to wear it.

The prints had floral, graphic and animal details. And the colors we saw, varied from grey to army green, pink, red, brown, beige and purple. The final looks of the collection all came in white. The dresses in shades of brown, red and beige were our favorites, since they looked so perfect for autumn.

Apart from the colors and prints Anna’s collection was also a great gathering of textures. Suede, silk, crochet, lace and transparent dresses effortlessly alternated each other on the runway. In between those dresses woollen skirts, fur stoles, chunky cardigans and a quilted coat grabbed our attention.

Apart from the tights from her own leg wear line, the accessories in this collection were not made by Anna Sui herself. Jamie Coviello made the knit hats, Adrienne Landau took care of the fur stoles and the necklaces and brooches came from a century old Pottery in Detroit, Sui’s home town.

With this show Anna Sui gave numerous examples of how to mix and match her most colorful pieces. But will others be just as good at the styling job? We’re curious what combinations people will come up with and we doubt they will look as good as Anna’s.

Oscar de la Renta Catwalk Fashion Show New York FW2010

The first things that caught our attention at the Oscar de la Renta fashion show were Jessica Biel sitting front row and the hair and make-up of the models. All girls had a classic look going on: beautiful eyes and lips and flawless curls. Even the spiky hair of model Freja Beha Erichsen now looked amazing.

The clothes were pretty impressive as well. The striking colors alone would make you look twice on the street. A woollen coat in red had a purple fur collar. A silk dress came in shiny orange, followed by a cobalt blue one. We also saw outfits in emerald green, turquoise and pink.

A couple of designs had a busy indescribable print, others were embellished with sequins in different shapes and sizes.

All models were very well-dressed. The dresses all stopped at knee-length and had very decent collars and necklines. The collection was spiced up a bit by some transparent tops and a pair of trousers (one of the three trousers in the whole collection) with several cut-outs.

Oscar’s evening dresses seemed to belong to four different collections. Some were column shaped, other were voluptuous. A few had floral prints, others had small polka dots. Some had sequins, others were transparent. A few came in black and white, others were turquoise or fuchsia colored.

The final dress was our favourite one: long, silver colored and shiny. It had a gorgeous collar and was completed with the perfect belt, brooch and clutch.

Overall Oscar de la Renta showed an elegant, feminine collection, yet he should have made it a little bit more cohesive.

Rodarte Catwalk Fashion Show New York FW2010

Rodarte’s Kate and Laura Mulleavy have become New York’s  young dream team. And that means expectations are high, because everybody is curious for their next imaginary adventure.

For the past few seasons, the sisters have explored a beautifully aggressive vision.  Yesterday they showed a more lighter and softer side, with a collection  full of feminine nomads.

Backstage the sisters  told WWD  they had been thinking about Juarez, Mexico, border towns and “the idea of sleepwalking and existing between worlds.” The result was a  romantic collection in delicate colors (light gray, tawny brown and ivory), a beautiful and intrigueing collage of knits and  yards of traditional Mexican lace.
Sheer silk pants were worn under wrap skirts and densely woven sweaters that hugged  the body.  Often, the fabric looked roughly cut and draped at random to compose a single piece.

The show’s finale looked like a fairytale, with a glow in the dark effect at the shoes and some details in the clothes. It fit perfectly with the backround of  dripping candles.

The Row Catwalk Fashion Show New York FW2010

As style icons, the Olsen twins even inspire the hautest of fashionista circles, yet they’ve mostly sold their clothes at Wal-Mart. With another line—the Row—they’re trying to bring their  inspirations to the top of the market since fall 2007.yesterday they held their first show.

It’s seems one of the very few celebrity/fashion success stories, since the three year old label has become known for its luxurious fabrics as well as its understated and classic cuts – sometimes with an edgy touch.

Their fall collection looks very low key and to the point, with black, white and navy as the main colors and a matte denim-blue python as their most luxurious material. There were collarless and belted wrap-coats, long sleeve leather T-shirts, silk jumpsuits, long hemlines and a slouchy tuxedo-jacket. All shown with flat Grecian sandals and models with hardly any make-up.

Marc Jacobs Catwalk Fashion Show New York FW2010

No final changes or last minutes alterations were possible at Marc Jacobs’ fashion show. All of his models were already visible on stage at the beginning of the show. At first they were standing in a wooden frame, wrapped up in brown paper. Yet as Marc Jacobs tore off the paper they just stood there waiting to hit the runway.

Fortunately they didn’t have to wait very long. Because since Marc Jacobs banned celebs at his show this year he was able to start the show on time, for once. (His shows used to always start way too late, one time the delay was three hours.)

The first few outfits of the show could best be described as simple and sober. The wide skirts and the neutral grey shades did not make our hearts beat faster.

Then it got a little funkier as large fur coats with huge fur collars and cuffs were introduced. Though the hues of grey and beige were the same and they stayed the same throughout the collection.

The three new faces from last season, our Dutch top models, walked in the show as well. Bregje Heinen appeared in one of the sheer dresses of the collection. Patricia van der Vliet wore one too, yet hers was combined with a long striped coat. Mirte Maas wore a pair of colored glasses, which didn’t look too cool.

Several sequined looks reminded us of the fact that we were watching a Marc Jacobs fashion show for the winter of 2010/2011. We’d almost forget that while none of the clothes in this collection were very renewing.

But it seemed that was exactly Marc Jacobs’ point. He told the press: ‘There’s so much striving for newness now that newness feels less new.’ So he purposely didn’t go for something new or different. He just showed he knows what he’s doing and showed he’s good at it too.

But we’re not satisfied that easily…

The show ended with a few shiny dresses. Yet while the models wore hardly any make up and just let their hair hang loose the finale didn’t look very impressive. Marc could have put a little bit more effort into that part, if you ask us.

Donna Karan Catwalk Fashion Show New York FW2010

It was all black at Donna Karan, only two other colors popped up during her show – purple and electric blue. But this was a kind of celebration-collection, because the house turned 25 now. Enough reason to look back in black, but not too obvious. Donna Karan stuck with the sculpted tailoring and draped dresses – they were a hit the last two seasons – but she changed the silhouette. It all looked fuller, away from the body-conciousness, also thanks to the dense fabrics she used. The cocoon-coats looked great and comfy and had big sculptural shawl-collars, black and white tweed was mixed with satin and laminated wool looked like a wet pavement. The overall look was modern, powerful and very feminine – and didn’t feel like looking back at all.

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