Mugler Catwalk Fashion Show Paris FW2012

At Mugler, the creative director Nicola Formichetti and designer Sébastien Peigné,  linked directly to Thierry Mugler. Their point of reference was the designer’s 1997 “insects” couture collection, with supermodels in patent leather and bug-eyed masks. It resulted in a subtle translation  like in the pattern of a black and white dress with super-sized shoulders and glossy black croc appliqués on a sheer form-fitting dress.

Gareth Pugh Catwalk Fashion Show Paris FW2012

The black confetti surely gave the show of Gareth Pugh a moody edge. Not that he needed this, since his collections always reflect a dark, mysterious mood. Somehow Pugh let go of his fetish looks and toned things down. There was lots of leather, fur and a contrast of volume. Appealing were the  fuzzy black fur coat that opened the show plus the sharp-shouldered dresses with a leather bodice and a full fur skirt. Luckily Gareth Pugh didn’t forget to put some drama ans exaggeration in his presentation, that’s what a show also is about.

Aquilano & Rimondi Catwalk Fashion Show Milan Womenswear FW2012

The Aquilan & Rimondi show had a royal vibe. Tommaso Aquilano and Roberto Rimondi’s inspiration was a mix  of Marie Antoinette and the holy women  in Italian Baroque paintings. That led to dresses buttoned up to the chin revealing a bare back view, Maltese cross patterns, a minimalist and strict silhouette, lots of dark red, purple, midnight blue and black. The designers were at their most convincing when they gave that Gothic vein free rein.

Salvatore Ferragamo Catwalk Fashion Show Milan Womenswear FW2012

At Ferragamo it was all about military meets femininity. And who would have thought an army of women could look this sexy?!

Strong heavy coats were combined with elegant lace skirts and heavy skirts, on the other hand, were matched with sheer off shoulder tops. Playful bottoms were worn with body hugging tops and tight pencil skirts formed nice duos with loose, airy tops. This way every single look was perfectly balanced.

Models wore their hair in tight partings and looked fierce with their short chokers. Yet the soft make-up made it right again. Super feminine, tough and strong, or something in between; Salvatore Ferragamo is your brand for any of those fall/winter looks.

 

Dolce & Gabbana Catwalk Fashion Show Milan FW2012

It seemed a never ending collection that Dolce & Gabbana sent out this afternoon. A collection that captured Italy’s love for drama and opera. Pavarotti was on the soundtrack singing O sole mio and out came the models dressed in baroque black velvet and gold brocade, covered with dramatic capes, dresses embroidered with images of painted old theater-ceilings. Even the earrings looked like little cherubs and shoes reminded of theater furniture and decorations.

The press release said the starting-point was the tradition of Sicilian Baroque, which evolved in volumes and processes, experimenting in new cuts and decorations: golden embroideries that recall Baroque mirrors and frames or embroideries made of small points inspired by dining room tapestries; prints of cherubs and angels that appear to have come out of a painting.

Missoni Catwalk Fashion Show Milan Womenswear FW2012

Long, lean silhouettes determined the Missoni fall/winter collection we saw today. And while the looks were very feminine, Angela Missoni added a fresh touch of grunge to her outfits. It was visible through the hair (divided into three parts), the eye catching jewellery (large earrings – in one ear – brooches and matching waist belts) and the odd styling (wrongly buttoned vests).

The new look for fall was also dictated by patchwork details (we saw earlier this week) which combined knits with fur. Presented in shades ranging from faded pastels tot seventies shades to different grey and turquoise tones it made up for a graceful collection.

Skirts and dresses below the knee were combined with body wrap tops and long leather gloves. The label’s signature zigzag print had made way for lines, stain-like prints and graphical patterns.

Angela showed a fresh, young collection and clearly tried to do something different this time. And well.., we think she succeeded.

Emilio Pucci Catwalk Fashion Show Milan FW2012

Peter Dundas, the British designer working for Emilio Pucci, surprised the audience with a complete different collection – far from Pucci heritage of paisley swirls and moving prints. He took his own wardrobe as a starting point. So masculine tailoring and fabrics dominated, as did black, and a minimalist hugging silhouette. The focus was at tight dresses with sexy splits and slits revealing slices of sheer, he also used velvet prints at sheer fabrics. Later the same idea got more bejeweled. For evening Dundas suggested beside the sexy dresses classic tuxedos, or tuxedo-elements.

Marni Catwalk Fashion Show Milan Womenswear FW2012

Control and precision; grace that is dry, assertive, with a hint of tension. An idea of graphic composition permeates the Marni collection for fall 2012: pure lines, decisive volumes. As if obeying to a precise layering plan, outfits have a constructivist feel with a sleek outlook and a tactile intensity.
The silhouette is neat and precise, to-the-knee, with a dropped waist. There’s an idea of clothing as a soft, architectural element. Exact capes create a firm halo around the body. Decoration turns into construction, playing with the weight of surfaces.  An air of grace and rigor runs through: the neck is always covered. Prints are used as an accent: a single outsized flower, papiro jacquards and brocades.
The palette has notes of butter, crimson red, clear blue with touches of pink, blush, tan and broken with notes of black, tobacco and saffron. Fabrics have a compact hand: silk wool double-face, lurex jacquard, wool crepe. Exaggerated, oversized patent leather and snakeskin add weight and presence.

Jil Sander Catwalk Fashion Show Milan FW2012

With hist last collection for Jil Sander, Belgium designer Raf Simons tried to tell a poetic story of the hours in a couple’s domestic life, from a woman’s morning lingerie to wool coats and black cocktail dresses. This show contained all the designs Simons surprised us with over the past few years, a fully modern perspective on construction and deconstruction, on feminine colors, on magical ideas. And we are going to miss him for that.

Simons made his final Sander collection one of positive beauty, poetic, gentle and refined. He opened with double-faced clutch coats in  pale pink and dove gray, tobacco and bright pink – with a hint to late-Fifties couture. He then went to dresses with an innovative lingerie reference. He even used PVC looked for folded dresses and skirts and they looked lovely rather than aggressive.

Jil Sander might return to teh house she left years ago, but it’s going to be a totally different ball game for her. Raf Simons proved what he is capable of and he will just improve every season. It won’t be easy for Jil Sander to equalize what he left behind.

Emporio Armani Catwalk Fashion Show Milan FW2012

Today’s Emporio Armani looked like fun. Fun to wear and fun to watch. Outfits were outspoken when it came to silhouette and print. Besides they were finished off in all kinds of playful ways (ethnic, chunky jewelry and eye catching hats).

We saw cut out jersey jackets, combined with striped, structured skirts and berets. Models wore knee high shorts with woolen vests and wide decorated hats. Fringed coats were presented next to tweed and polka dot versions. And there were some peplums in the mix as well.

Along the way Armani, who is always a great fan of the basic shades (black, blue, grey) experimented with busy prints and rainbow colors. He presented some great colored coats and skirts in line with the fun colored trend of the moment and perfect to brighten up a dark day. It might have been slightly out of his comfort zone, but we would love to see that ethnic/bright colored Emporio more often.

 

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