Comme des Garcons Catwalk Fashion Show Paris FW2010

Again the female body and fashion’s obsessions with it triggered Rei Kawakubo to create her fall winter collection for Comme des Garcons. And again, like in her spring 1997 collection, she aded bulk and heft to all the places fashion avoids if it seeks to flatter and make sexy.

Humps and bumps were placed on shoulders, hips, backs and bodices. Kawakubo used pillowform outcrops of padding which she added to the clothes – coats, jackets, pants, skirts, dresses – and therefor completely changed the silhouette. This was a show that discussed the rules of beauty, ‘Inside Decoration’ was the description the designer gave in her press release. It’s probably the beauty within that makes her ugly clothes shine and elegant.

But you’ll never know with Kawakubo, the only thing you know for sure is that she keeps on tickling you and you fashion-expectations over and over again.

Viktor & Rolf FW2010: transformation

The performance/show of Viktor & Rolf yesterday was about dressing and undressing, the whole machinery of fashion, the guts to wear something BIG and exaggerated. Especially the last transformation blew the audience’s mind: the big tulle skirt that the designers transformed into a huge cape/collar that was the topping on the last outfit.

A true fashion-moment.

Versus Catwalk Fashion Show Milan FW2010

Skirts like cupcakes, that’s the best way to describe the stiff  pleated miniskirts Christopher Kane created for his second Versus-collection. It is amazing to see how well the British designer is reviving Gianni Versace’s heyday style. The young, strong but sexy look is still there, but the styling, colors and textiles are modern and very now.

Dresses had that slightly fetish look, but the skirts were playful mixed with T-shirts printed with old Bruce Weber for Versace photos and fluffy cardigans. Colors moved from peacock blue and plum to red, navy and black.

Roberto Cavalli Catwalk Fashion Show Milan FW2010

It was a every inch a very decadent show at Roberto Cavalli. But decadency is part of the house’s dna. And like more designers in Milan, Cavalli celebrated his roots (he’s 40 years in business no, and yes the guy is 70) and went back to the early days when he was designing for the happy, hippie few.

Cavalli’s fw2010 collection was  shaped around the rich hippie, bohemian look of his early days in the seventies. Lots of harem pants, draped dresses in tulle, long floorsweeping dresses, brocaded military coats, jackets in studded leather, faded animal-prints and embroideries all over. Colors were dark and rich (black, white, gray, red), the styling was mix & match.

Missoni Catwalk Fashion Show Milan FW2010

Again Angela Missoni presented a collection full of lusciously layers, this time – according to the shownotes- inspired by ‘Africa meets Scotland, folk meets punk’ .

It was a cocktail of patchwork skirts, tweed shorts, cropped sweaters draped at the back, thick pullovers and wrap-coats. Cozy tartans met tribal patterned knits, here and there deconstrcuted and accessorized to Masai effect.

Colors were wonderful, different tones of brown, black and gray met with more brighter colors as lightblue, red and green. Silver and metallics added some light and glamor. Shoes were in matching fabrics and colors.

Dolce & Gabbana Catwalk Fashion Show Milan FW2010

The Dolce & Gabbana fashion show started with a short (black & white) film in which we saw Domenico and Stefano working in their atelier. We watched them putting their first designs together and saw how they put them on on some models. We could see the joy in their eyes as they slowly created several gorgeous designs, of course with a little help. Actually, all of the atelier’s employees were introduced in the film. In their long, clean, white jackets they smiled at the camera as the first models came up.

The fall/winter collection was built around three themes: Sicilianita’, sartorialita’ and sensualita’. They were reflected in several ways:

1. Domenico and Stefano (after 25 years) went back to their Sicilian roots (Sicilianita’).

2. The clothes represented Dolce & Gabbana’s signature tailoring (sartorialita’).

3. The models looked very feminine and sensual in the lingerie-inspired designs (sensualita’).

We listened to the Moulin Rouge soundtrack ‘Come what may’ as the first models quickly passed in some black tailored jackets combined with short pants and lace dresses. When a few corsets were introduced, we were sure: the lingerie-influences from last summer were back.

The models all wore gold accessories. Some of the clothes were decorated with lots of golden coins. And the ‘new women’, as Stefano Gabbana put it, carried an I-pod with golden earphones.

All girls  looked very lady-like. Though the double breasted jackets might have looked a little masculine, they were executed in a soft and feminine way. The fabrics: lace, silk and satin added to the sensual feeling of the collection.

Leopard prints, polka dots and floral prints combined beautifully with the black of the collection. Like in the summer collection those different prints were matched in one look. It looked stunning.

During the finale 75 models came onto the runway, dressed in fitted black jackets combined with shorts and small dresses.

The show made us shiver and, as we heard, it made the people backstage shed a few tears.

Emilio Pucci Catwalk Fashion Show Milan FW2010

It’s Peter Dundas’ third season at Pucci and he has taken the label to a darker, more risky place. In a season where designers go for minimalism and a structured ladylike silhouette, he presented a sexy collection with a bohemian touch and lots of red-carpet potential.

Dundas opened the show with a long purple jersey dress in a houseprint from the Pucci-archives, but he dip-dyed it in purple. This set the tone for the rest of the collection with ultra, ultrashort dresses – even the models were complaining about it – fringed scarf-dresses and big feather details. New were the tailored jackets in strong, clean lines. They were mixed with high waisted, suede flares. Eveningwear was pure glamor: long dresses with plunging necklines or minidresss with gold lace inserts and high slits.

Marni Catwalk Fashion Show Milan FW2010

It’s always a surprise which direction the Marni-collection goes. Bohemian, more severe, vintage luxury? For next fall the designer Consuela Castiglione brings light and the optimism of spring to the stores. Not only because of the slightly faded colors – tabac, pink, red, yellow and green – also for the 3/4 pants, bermudas and T-shirts with prints done by the artist Gary Hume.

The overall character of the collection was ladylike, with hourglass cut, stiff skirtsuits, sleeveless jackets and dresses. A small pleated, separate apron added  hips and shape to the silhouette. The colors, metallic details, mosaic prints and treated fabrics  – laminated, transparent, dense, inside out, unfinished –  added a contemporary  elegance tot the clothes.

The shoes and boots- in perforated leather and ponyskin – were tough and modern, the bags elegant and with a modern classic character. And of course the accessories were to die for, big chunky necklaces in matching colors were the finishing touch.

Gucci Catwalk Fashion Show Milan FW2010

This was one of the most simple, easy and safe Gucci-collections I’ve seen in years. No real focus at bags – a few totes, croco shoulderbags and clutches – thigh high boots and high heels. The silhouet was pretty straight, sometimes bodyhugging. Short dresses in white, black and gray showed flashes of skin and were pimped up with silver details at wrists, neck or waist.Other dresses were more draped and had a painterly prints.

Pants were Gucci-like: slim, low at the waist and mixed with short (fur)jackets, silk tunics or a printed shirts. Big 70’s inspired coats in camel were eyecatching. This is what Gucci is known for, but I was hoping for a little bit more firework and inspiring ideas. The eveningwear though had just that extra elegance and sexappeal, great for a red carpet-moment instead of those big in your face gowns. Hopefully Rachel Zoe will be inspired, she was sitting frontrow at Gucci.

Etro Catwalk Fashion Show Milan FW2010

A Wunderkammer perfumed with amber and absinthe, that was the startingpoint of Etro’s collection. The result was a collection with sensual, oriental influences and the somewhat rounded silhouet of Paul Poiret. Kimono-dresses, layering, satin, new style paisleys and neo-colonial dressing.

Male and female, plain and printed melted in the same look. Mini-robes draped over the double breasted blazer were teamed with harempants, furcoats and cocktail frocks became cardigans. Colors were vibrant with the shades of semi-precious stones: emerald, jade, amber.

The eveningwear was sensual and bodyhugging: satin dresses with samurai-dragons at the back or draped with prints like tattoo’s.

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