Gucci Catwalk Fashion Show Milan Womenswear SS2015

At Gucci we were presented a mix of many things really. A mix of luxury and casual, sensual and practical, western and eastern influences, but also a combination of vintage inspired and more modern pieces. Overall the collection had a seventies vibe, which perfectly coincides with Kate Moss – Gucci’s front row guest – being the new face of the brand. The topmodel is known for her seventies rock chic way of dressing. She loves a good pair of jeans as much as she adores her many fur creations. We therefore could see her working the biggest part of the collection into her daily wardrobe. The army inspired, double breasted jackets while on the go in London. The XL laced up tops while lounging on a yacht near Saint Tropez. The patchwork, Oriental printed chiffon dresses when attending a fancy fashion event. The 7/8 pants might be a little more tricky, as they would be to any average woman’s figure. Same counts for the stiff, thick leather designs that mostly just look their best on a model’s body. But Frida came up with more than enough wearable options for next summer. The gorgeous color palette of browns and reds definitely set the right mood. The accentuated waists (by brown leather belts) and silk scarfs added to the cohesiveness of the collection. And as strangely as it might sound, we’re looking forward to rocking some of that fur underneath the Ibiza sun.

Streetwear Milan ss2015 Day 1

What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Givenchy-sweater? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Milan Fashion Week spring/summer 2015.

 

The Big Round Up Womenswear FW14, Part 3

This is part three of our trend-overview of season FW2014. Take a closer look at Cosmic, Warriors and With a Swirl.

COSMIC

(Dsquared², Balenciaga, Gucci, Wang, Iceberg(

A touch of Barbarella spotted at Dsquared² with a slice of lunatic glamor. Much more strict, square and bold, the sporty hybrids of Balenciaga show a playful touch of humor. Cosmic starlets in leather mini’s at Gucci. More utility at Balenciaga, ready to hunt or to enter the lab? Chunky sweaters treated with crinkly silver foil, like an astronaut’s space suit at Iceberg.

 

WARRIORS

(Haider Ackermann, Rick Owens, Rick Owens, Haider Ackermann, Barbara Bui)

Brace yourself, the troups are nearing. The heroins of Haider Ackermann, show feminine and masculine symbiosis, in longer then long sumptuous slouchy suits.

Family tribes and high priestesses at Rick Owens wear sleeveless tunic dresses and ponchos in primal knit, felt and leather skins. Modern day cocooning goes elegant at Ackermann in lush jersey cap-sleeved onesies, the hit of the season. Barbara Bui shows chunky and sharp tailored jerseys.

WITH A SWIRL

(Chalayan, Dries van Noten, Christopher Kane, Roland Mouret, Just Cavalli)

Most excitement was in the added dynamics. All moving layers and slits in Hussein Chalayan’s gauzy gowns, glittering in liquid textures. Dries van Noten’s pattern mania shows psychedelic swirl with a rave quality. Christopher Kane’s organza dresses ruffle, since composed of fifty dark-trimmed leaves of the fabric. Sculptural as well as ethereal. Roland Mouret’s stiff coated tweed is animated by a swirling laser cut fringe skirt. Just Cavalli shows racy metallic collage prints, exuberant applications and skirts with an elegant swirl.

The dynamic promise of technology!

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

 

The Big Round Up Womenswear FW14, Part 2

This is part 2 of our trend-overview of the coming fall season. Between the continuous feel for sobriety, for real clothes and a new found spirit for informality , we did spot some true fashion statements. In percentage not that many, but nevertheless there. Found mostly in expressive materials, holographic coatings, laminations, cuts, fringes, 3D embellishment and eye-catching patterns. Where past seasons were strong on craft we now sense a steady shift towards technology.

Take a closer look at Crafted Luxury, l’Art Decoratif and the Wild Ones.

 

CRAFTED LUXURY

(Céline, Altuzarra, Stella McCartney, Michael Kors, Michael Kors)

Love for raw refinement. Céline wrapped her model in fluffy feather fringe, Altuzarra in simple elegant shifts from crafted tapestry weaves, Stella McCartney’s comfy tweed parka’s showed an earthy tribal feel, where Michael Kors went for maximum luxury in ombré pullovers, chocolate brown feather fringe and masculine suits made of floating luxurious cashmere tweeds.

 

L’ART DECORATIF

(Missoni, Burberry Prorsum, Bottega Veneta, Peter Pilotto, Tod’s)

Missoni showed abstract patched tanks in boiled and felted knit. Reflecting on Bloomsbury, Burberry hand-painted cashmere shawls to be worn on mohair coats. Technical wizardry was used to create this pattern magic – zigzag puzzles at Bottega Veneta. Exuberance and excess in trippy and clashing geometric prints at Peter Pilotto, where Tod’s showed mosaic-like lozenge patterns in multiple techniques.

 

THE WILD ONES

(Miu Miu, Saint Laurent, Fendi, Alexander McQueen, Marni)

A flavour of the primal. Miuccia Prada layered her padded and quilted dresses with grand volumes of fluff for Miu Miu, Saint Laurent‘s cool, pop princesses strolled the catwalk in fur, lazy with casual extravaganza. As human cats in long haired fluff. Wild beauty at Alexander McQueen, and – this is a quote – incongruous incursions of fur at Marni, just figure out yourself what this might be…

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

 

 

 

 

The Big Round Up Womenswear FW2014, Part 1

As always we where overwhelmed with the flood of fashion beauty and material excellence coming over us during the global fashion weeks.

There was this continuous feel for sobriety, for real clothes and a new found spirit for informality motivated by utilitarian inspirations. Lot’s of chic citywear icons where given the sporty treatment. The best windbreaker, the most comfortable puff jacket, the most perfect trouser fit. Between those masses of garments some were excellent in their normality, perfect in execution, amazing in materiality. Supreme touch, perfect drape, etc. Technology is helping here and making top tailoring more accessible, performing textiles more sensual and expressive fashion textiles more functional.

Between those real clothes to please us, very close to what woman desire to wear instantly, we did spot some true fashion statements. In percentage not that many, but nevertheless there. Found mostly in expressive materials, holographic coatings, laminations, cuts, fringes, 3D embellishment and eye-catching patterns. Where past seasons were strong on craft we now sense a steady shift towards technology.

Then there is this big (in many ways) offering of the cosy and comfortable. We nearly dare to mention a return of the feel for cocooning. All about enveloping, embracing, sheltering and protecting. Wrapped in plaids, down blankets, furs, felt ponchos and most of all in knits.

Knits where everywhere this season. For separate items as well as total looks. Haider Ackermann uses them long, lean and liquid. Balenciaga is among the designers who experiment by laminating bulky knits; others just cut it as woven material, where many, as The Row, find excellence by use of precious fibre – cashmere has never been that big.

Where we expected previous season a future for narrative sets and spectacular venues this was limited to few. The stupendous supermarket setting of Chanel was the talk of the season, he vacuum-packed his bags where Iris van Herpen left her audience in awe by vacuum-packing her models. Both raised a manifest on consumerism, in Chanel’s case this is likely to be rather ironic. Political or social statements where hardly done. Fashion is where it used to be, fur is back bigger than ever without any thought or comment, quotes were there for a season in summer, but were empty phrases appliquéd on garments as decoration. Now the message was femininity, desire and being beautiful. Back to the core business of fashion.

In general it seems that designers very much care for how women feel, what a girl wants, how fashion makes them feel beautiful. Fall 2014 catwalk season was much more about the exploration of women’s fashion desires then about pushing designers signature looks.
Cherchez la femme!

URBAN TECH

(Alexander Wang, Prada, Christian Wijnants, Balenciaga, Miu Miu)

Outdoor and urban sportswear never looked that glamorous. Alexander Wang showed utilitarian city wear in experimental tech textiles, Prada staged a boxy shearling in mirroring gold. Silver foil jackets at Christian Wijnants cover tech double knit shorts and Alexander Wang laminated cabled knit monty’s to cover chain knit skirts. Miu Miu uplifted normality by adding hologram gloss to quilted shirt jackets.

 

INTER-GALACTIC ROYALTY

(Rodarte, Moschino, Thom Browne, Dolce & Gabanna, Etro)

Bumping into a Princess Leia look-a-like at Rodarte we realized that Starwars is still making waves. Jeremy Scott explored junk culture for Moschino and came up with the bright, brash and ingenious staging their urban princess, Thom Browne evoked the ecclesiastical and went for the sublime, it where king’s that inspired Dolce & Gabanna to dress up this princess, she is showing us the key towards success. Veronica Etro met her royalty during a trip down the Silk Road.

KNIT IT

(Yohji Yamamoto, Céline, The Row, Céline)

Knit is big in all senses. Impressive knit volumes – soft, bulky and warm at Yohji Yamamoto. Sensuality and tenderness is what drove Phoebe Philo towards her all knit wardrobes for Céline. Instant luxury is what the models must have felt when The Row covered them in these super-size double face cashmere knits. Simple, still and ultimately comfortable.

Stylespot is a collaboration with Stijlinstituut Amsterdam

First View Milan Womenswear FW2014: New Understatement

 

There are alternative ways to make a woman look beautiful. We saw brave and masterful innovative cut and pattern-making, smart updating of traditional skins and silks and an intelligent play with shades and light. The outcome looks new, modern and understated – sophisticated elegance with a self-evident comfort and natural flair in shapes that are not all that natural. What we look at are complex drapes, mathematical mosaics, intelligent coupes and smart technical finishing.

Tomas Maier, for Bottega Veneta, called these fab outcomes “puzzles’ – simple silhouettes with clever nips, skilful pleats and intelligent trompe l’oeil illusions. Ending up to be comfortable dresses in a sensual cosmetic pallet, to make women feel good.

Alessandra Facchinetti for Tod’s found ways to use leather less like skin and more like fabric which leads to streamlined, modern, women friendly outfits in lacquered patent leather.

Where Bottega Veneta uses ‘puzzles’, Tod’s mentions ‘mosaics’, both as results of in-depth explorations of pattern-making. Their efforts are inventive, unorthodox and challenging classical tailoring standards.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

First View Milan Womenswear Fw2014: Avant Garde

Where other designers stage fashion, Prada treats us on tales and inspirations. A holistic experience, theatrical performance, and an inspirational happening. As always firm-rooted in cultural heritage she reflects on Germany’s cultural avant-garde and the oeuvre of director Rainer Werner Fassbinder.

It was a scenery flooding with vibrating contrasts – black, gold and furious red – transparency and opaque – veils and shearlings – matt and shimmer.

Deco-influenced patterns and silver trimmings among others at Prada. Bold gold-fringed starlets at Just Cavalli, corsage accessorized furs covering veils at Fendi and constructivist shearlings covering slink sheer shifts at Prada.

Inspired by Fassbinder’s love for culture and telling a story, he also showed her the darker sides of life. She mused on the opposite of rich, the doom and gloom of glam and casted sensual and eccentric she-devils wearing Prada.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

Streetfashion Milan Womenswear FW2014, Day 6

What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Givenchy-sweater? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Milan Womenswear Fashion Week fall/winter 2014.

God of the Streets in Milan (Streetwear FW14)

We think anyone who can control traffic during the entrances and exits of fashion shows can be considered a God. Take a look at this video, shot in Milan, to see how an Italian police man survives in the fashion war on the streets.

Giorgio Armani Catwalk Fashion Show Milan Womenswear FW2014

Giorgio Armani went green with his fall 2014 collection. In combination with gray that is. According to Armani green, lime-green – is a stimulating color and a bit avant garde. But the result was more classic in the end. Armani opened the show using different shades of gray, often in combination, for jackets, pants and dresses. He loosened his tailoring for easy coats with one-button closures at the neck.

Then the green showed up subtle, as a small stripe on a jacket collar, but later full on, in dresses and integrated separates.

Evening started with black jackets and T-shirts over fluid green pajama pants, some of them crystal-embroidered. The mood was casual. Pretty gowns followed, some cut with bodice treatments. These came in gray and black with varying degrees of lime.

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