Groupielove #6

Trey Speegle’s giant paint-by-number canvas spelling out the word YES at the back of Stella McCartney’s runway summed up the mood of her collection quite succinctly. These were uncomplicated, upbeat, and above all colorful clothes for women who prefer not to think too hard about getting dressed but still want to look young, sexy, and chic. It’s a sentiment that McCartney, a mother of three young children and the head of a growing fashion empire, understands intimately—as do her loyal customers, including front-row pal Gwyneth Paltrow.

Groupielove #5

After a couple of seasons of citified dressing, collectors of Dries may well be pining for his more eclectic, decorative pieces. If so, they’ll find plenty of them: coats, soft boxy jackets, wrapped dresses, and sarong skirts in a plethora of fabrics and embroideries that looked as if they’d been sourced from a trip around the markets of China and Southeast Asia.

In among them, there were items—like the silver lamé tank with a sheer back, the khaki shorts, and the sparkly jackets—that will also allow fans to dip into trend without going overboard. The incredible necklaces—rich-looking pearl chokers dangling geometric pendants set with large semiprecious stones and crystal—made gorgeous viewing.

Trends ss2010: lace details

Although lace is usually only seen in lingerie or underwear, we were now confronted with  lace in all kinds of daywear  in many shows. The largest  fashionbrands like Chanel, Dior, D&G, Oscar de la Renta, Cavalli, Valentino and Galliano introduced their clothing for the summer of 2010 with loads of lace.

The lace mostly came in neutral shades like black, white or beige. Yet in the Dior show we saw some black mixed with bright colors, like purple or pink. Erdem showed a combination of blue and black. At the fashion show of Antonio Marras  lace was mintgreen. And the models at Nina Ricci wore it in nudes and navy blue.

Jenny Packham designed some great feminine dresses in white lace. Paola Frani came up with a stunning jumpsuit in black lace. Barbara Bui made a few wonderful black lace jackets and Jasper Conran’s lace dresses felt a little bit like wedingdresses. At the Chanel fashion show the models wore many layers, topped with lace.

The most outstanding lace designs were a white mini dress with puffy shoulders from Jill Stuart and an elegant lace dress and jacket from Oscar de la Renta.

Introducing lace as a new trend for summer seems perfect. The fabric is airy and comfortable and makes women feel and look very ladylike.

Trends ss2010: skinny pants

Although the first celebs are already wearing wide-legged jeans, the skinny trend continues. For spring/summer 2010 the long and skinny model legs were still accentuated by tight leggings or ulta skinny pants. Not in denim, but different kind of materials.

Often it was hard to distinguish a pant from a legging, as they were equally tight. The skinny pants were often combined with loosely-fitting long tops, blouses or jackets.

At the Balmain fashion show there were skinnies in black and (glittery) camouflage. Barbara Bui designed hers with fish scales. Balenciaga’s pants had leather details. The Burberry and the Ungaro pants were pleated from bottom to top. At the Chanel Fashion show the boys wore the same black/green skinny pants as the girls. Roberto and Eva Cavalli designed a pair of light and shiny trousers with horizontal tears. The skinny pants from Matthew Williamson, Tony Cohen, Givenchy and Versace had all kinds of  patterns.

Since the skinny pants and the loose-fitting tops make such a great outfit together, it’s not time yet for the wide pants to return.

Groupielove #4

Karl Lagerfeld is still going strong and he can’t get enough of fashion yet. “I like imagination — and the way I think things could be, had been, or should be — better than reality”, is one of hist latest oneliners at Twitter. Well, hios collection for Fendi was better than reality: wispy fabric, ivory and ecru, off-pastels, and fraying edges with a little touch of Parisian lingerie. It looked as if Karl Lagerfeld had drawn from his French vocabulary to make a cream silk high-necked playsuit (part classic blouse, part romper) and a dotted tulle shirt with a frilled triangle bra beneath. Thankfully, it didn’t slip completely into the clichés of boudoir (hypersexy is not the mood). That’s because of the more rough-hewn elements—say, a pale blue linen sarong, wrapped like a simple piece of raw-edged fabric around the body—and the incredibly luxurious Fendi craftsmanship.

Groupielove #3

Christopher Bailey, chief creative officer of Burberry, and one of Great Britains best-known designers, collected last monday his MBE from Buckingham Palace. Bailey, 38, was appointed a Member of the Order of the British Empire  in June this year, for his services to the fashion industry “This award also recognises the incredible team that I work with and it is a privilege to be a part of Burberry, a great British brand” Bailey said.

The recognitions are the latest in a long list of awards for the talented Yorkshireman. In 2004, Bailey received an honorary fellowship from the Royal College of Art, from where he graduated with an MA in 1994. He also holds honorary doctorates from the University of Westminster and the University of Huddersfield.

Dutch models: Patricia van der Vliet

Dutch models were well-represented at the catwalk this year. One of the ‘new faces’ we saw in many big shows was  Patricia van der Vliet. The blond girl popped up in shows from Prada, Balenciaga, Nina Ricci and Yves Saint Laurent. She even had the honor to open the Louis Vuitton show (the only time we saw her with black (afro) hair).

Patricia once participated in the Dutch tv-show Holland’s Next Top Model. Although she did not win, she ultimately made her way into the modelling business.

Her diverse appearances in shows of the largest brands in the world showed us how versatile Patricia is as a model. In some shows she was hardly recognizable.

Style.com already discussed Patricia as one of the ten new faces on the catwalk. Hopefully we will be seing a lot more of this girl. If you ask us, we already consider her as a Top Model.

Tess van Daelen

Groupielove # 2

In a serene and beautifully judged collection done almost entirely in shades of cream, Tomas Maier put the individualistic way we use clothes at the center of his thought process. “I think of it as a collaboration with women,” he said to style.com. “The clothes are meant to be a backdrop, a blank canvas, so the wearer can play with color and accessories to change the look and make it her own.” The concept of the neutral background came when he saw a group of children being dropped off at a karate class in Florida, where he lives: “I liked the look of the canvas, and that became my color card—white, cream, straw. And the idea of the soft belt.” Et voila, another beautiful collection was born.

Trends ss2010: take a bow

Bows seemed to be the finishing touch on many spring/summer outfits. They came in both extra small and very large variations.

The bows were often placed around the neck,  the waist or at the shoulders of an outfit. Blugirl, Luella Barteley and Moschino had many bows in their collections. The bows on Valentino’s dresses were perfection.

To complete a certain look designers often put some extra bows in the models’ hair (Erin Featherson, Luella Bartley) and even on their shoes (Kinder Aguggini). At the Louis Vuitton show small bows were placed on top of the big afros the models wore.
Marc Jacobs used colorful headbands with bows that vaguely resembled the bunny ears he designed for Louis Vuitton last year.

Bows came in silk, cotton, lace and disco-shiny material. There were well-formed stiffed bows and ribbons tied like a bow. Some of the bows looked as if they had just been torn off a birthday present.

Bows formed the perfect detail on many outfits. They gave it just a little bit extra and made several looks more elegant and feminine.

Tess van Daelen

Au revoir Christian !

This week, a French court approved a restructuring plan for bankrupt label Christian Lacroix that will reduce the house to a licensing operation. Only about a dozen of the roughly 100 employees will keep their jobs. The label’s problems culminated with the parties that expressed interest in buying the label but failed to produce financial guarantees in time to rescue it.

Experts say Lacroix focused too much on haute couture collections. Successful labels use couture nowadays as marketing efforts. No label sells enough couture clothes to justify it. Lacroix was notoriously insistent on maintaining its high-end approach to clothing. Under LVMH’s ownership, Lacroix made lower-priced Canal and Jeans lines. When the Falic group bought the label in 2005, they were quick to do away with those. Lacroix was happy because he didn’t want to be bothered with the more affordable things. But still, where were the Lacroix sunglasses? Perfumes? “It” bags? Sales of items like those account for the bulk of profits for luxury labels. Lacroix’s C’est La Vie fragrance never even took off. Fragrances are powerful profit drivers, but we shouldn’t forget fashion’s other highly potent force: divas. Look at Lady Gaga. She’s in Vogue, she was the first non-model to wear Alexander McQueen’s spring 2010 Alien shoes, and she was the highlight of New York Fashion Week and plenty of other things.
There should have been a diva out there for Lacroix to dress.

For me Lacroix was the beginning of my career as a journalist in fashion. I still remember my first fashionshow ever, Christian Haute Couture spring 1989 in hotel Intercontinental in Paris. It was breathtaking. Powerful, colorful, and very French joie de vivre. But times changed, as did women, fashion and the business.

So for old times sake: some highlights of past collections.

Jetty Ferwerda

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