Groupielove # 12

Narciso Rodriguez embraced his softer side for spring summer 2010. And it made for a stronger collection. The vibe was still plenty sexy, like the killer sheath color-blocked from jute linen canvas and black silk jacquard.  A pair of shifts, one in white, the other pink, came with graphic cutouts on the upper back, while another dress was essentially a mesh tank with strategically placed ovals of printed fuchsia silk. All three were revealing without being vulgar, a balance other designers have had some difficulty achieving this season.

But Rodriguez also loosened up the silhouette dramatically, letting the air in, so to speak, on everything from a white silk, linen, and organza bubble dress to a silk mud-cloth coat. The show ended with a trio of short-in-front, long-in-back tent dresses that took this concept to the extreme. Chic, modern propositions for a black-tie evening, they billowed dramatically behind the models in the runway breeze.

Dutch Models: Bregje Heinen

One of the new faces we spotted at the catwalk was that of Dutch model Bregje Heinen. At the (young) age of sixteen she is already strutting the catwalks of many great fashion brands.

With her big eyes and lips looking as if she’s constantly pursing them, she has the perfect model-look.

We saw her in the fashion shows of Balenciaga, Fendi, Gucci, Lagerfeld, Donna Karan, Prada and Louis Vuitton. At the Stella McCartney show Bregje was even the only new model that was added to the model line-up.

Though people from abroad are struggling with the name Bregje (It’s pronounced brechk-ye) she’s bound to become a Dutch super model.

Trends ss2010: women’s accessories

Next summer large necklaces (and wearing multiple ones) seem to be the it-item for women. These necklaces could be seen at fashion shows of Vivienne Westwood, Bottega Veneta, Barbara Bui, Byblos, Oscar de la Renta, Dolce & Gabbana, Donna Karan, Badgley Mischka and Moschino.

Another accessory that kept popping up was a handbag that the models literally wore in their hands. Sometimes it had a belt to carry the bag on their shoulders but they still kept them in their hands.

One special handbag at the Alexander McQueen fashion show resembled a bowling ball. The model had to put her fingers in it to carry it.

Eye-catching accessories were the Blumarine jewelry that looked like children’s jewelry, some magnificent hair accessories at Chanel, a belt-like bracelet at Blugirl, an ant-necklace at Dsquared, and some pearl bracelets and plastic flower corsages at Galliano.

Apart from these accessories most collections were very sober. The designers let their clothes speak for themselves, without all the fuss added.

Groupielove # 11

Making good on the promise of his sexy debut, Peter Dundas turned out a sizzling collection for Spring/Summer at Emilio Pucci. It is, of course, the season the house was made for, having been established on jet-set Capri in the 1960’s, but it also doesn’t hurt that Dundas is an avid scuba diver. The underwater universe produced some aqueous prints that also formed the basis of allover-sequined dresses. Neoprene diving suits informed a few long-sleeve minidresses with curve-enhancing mesh insets.

Some of the hottest swimwear of the season strutted down the narrow runway. One or two in snakeskin aren’t advisable for actually getting wet.  The season’s all-important jacket? He cuts a mean one: cropped, fitted, with lean arms and a flippy hem.

Trends ss2010: sporty fashion

Hoodies, zippers, caps, sleeveless tops, short shiny jackets and net fabrics dominated the menswear collections for 2010. That can only mean one thing: sports influences.

There was the basketball look (Kris van Assche), the gymnastic look (Francisco van Benthum, Calvin Klein) and the football look (Bikkembergs). There were sailing types (Burberry), the boxer types (Ann DeMeulemeester), the diving types (Moncler Gamme Blue, Gucci) the golf player and the horse back rider (Frankie Morello).

Especially Gucci had a lot of shiny sports jackets, not referring to a specific sport.

Sportswear and casual wear really seemed to merge with each other on the catwalk. Of course menswear is always a little bit sporty, but this time sports were all over the place. However, whether a tanktop made  of a net fabric is very suitable for going to the office remains to be seen.

Trends ss2010: flower power

Since we feel the overall vibe of femininity  for next spring,  the floral prints we spotted fit perfectly in with that. The flowers were usually small ones, repeated hundreds of times on the fabric.

At the Jackson and Moschino fashion show it were Oxeye daisies. Yet other designers (Yves Saint Laurent, Luella Bartley, Oscar de la Renta, Dolce & Gabbana) used rose prints. Viktor & Rolf didn’t have floral prints in their clothes but they did use roses to decorate their pink boots.

Overall the flowers had a very classic feeling to it. The way they were painted and the colors that were used really felt like your grandmother’s wallpaper.

The prettiest floral prints were those of Dolce & Gabbana. Their perfect shapes and colors could be seen on r dresses, shorts, tops, jackets and lingerie. In one look a floral printed skirt was even mixed with a leopard printed top. Both with black lace on the edges.

The ss2010 collections lack lots of color, but the florals do add some brightness to next season.

Groupielove #10

The foundation stone of Lagerfelds ss2010-collection was shorts. “Not Bermudas or hot pants,” the designer said backstage, but a contemporary variation that emphasized rounded hips. They looked almost like tap shorts, especially when they showed in white satin.
Lagerfeld pushed his idea with all-in-one playsuits—sometimes hanging off dungaree straps, sometimes with no straps at all—which dropped into deep-pleated shorts (it was particularly striking in red leather). This bizarre notion was so insistent throughout the presentation that it took on a persuasive life of its own. And, in its peculiar way, it fit with jackets whose hems were folded up to shoulders that buttoned down.

Trends ss2010: tight fitted

At the menswear fashion shows we spotted lots of suits. Complete suits in one color or just combinations of pants and jackets. The remarkable thing about those pants and jackets was that they were all pretty tight fitting. So the muscular bodies of the models were clearly accentuated.

Givenchy, Gucci, Calvin Klein, Lanvin, Moschino and Paul Smith showed some tight  looks. The jackets were often left unbuttoned.

Another trend we saw at the menswear collections were the tucked up sleeves. The boys at the fashion shows of Costume National, Vivienne Westwood, Etro, Raf Simons Lanvin and John Richmond  had it all. We spotted some short sleeves as well at the Neil Barrett and the Cerrutti show.

So  wear your suit a little tighter next season. Loose fitted is so 2009!

Dutch Models: Mirte Maas

A new face conquered the catwalk during the last fashion weeks. It was the face of the Dutch model Mirte Maas. She is just seventeen years old, yet she participated in countless fashion shows for ss2010.

Mirte is signed with Women Management in New York (Kate Moss and Natasha Poly were also signed there), butalso  has contracts with modelling agencies in Milan and Paris.

During the New York fashion week Mirte was the first girl in the Alexander Wang fashion show. Although many people talked about her frightened look during the opening of that show, it didn’t stop her.

Later on we spotted Mirte in Milan and Paris at almost every big show. Roberto Cavalli, Chanel, Chloé, Fendi, Givenchy, Hermes, Marc Jacobs, Donna Karan, Michael Kors, Lagerfeld, Lanvin, Yves Saint Laurent, Marni, Missoni, Moschino, Prada, Nina Ricci and Valentino, to name a few (few? That’s a full agenda! It’s a wonder she was still looking fresh)

Style.com named Mirte Maas as one of the Ten New Faces in fashion. We’ll be seeing a lot more from her.

Groupielove #9

Practicing his signature brand of arty minimalism, Francisco Costa replaced the sharp angles and dark colors of his Fall collection with soft, organic shapes and light-reflecting neutrals. It made for a Spring collection more sensuous than  sexy—and more youthful in feeling than his recent efforts. He opened with a white one-sleeve bubble dress that, like the needle-punched nylon coat that came down the runway a few looks later, caught air behind the model as she walked. When he wasn’t experimenting with volume, Costa was creating interesting textures: smocking and puckering cotton voile for an A-line shift, or hand-pleating and pintucking an organdy dress. Playing natural off techno, and sheer against opaque, the designer sent out mohair jacquard tank dresses that shaded from black to brown to gray and revealed subtle swaths of skin. The only departure from the show’s earthy palette was a group of crinkled silk-cotton tank dresses and asymmetrical shifts in shades of pale aqua, citron, coral, and jade.

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