Louis Vuitton Catwalk Fashion Show Paris FW2010

Streetfashion Paris FW2010 Day 7

What are you wearing during the coming fashionweeks? Your Givenchy-heels, your latest Celine-coat or that vintage Chanel? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris.

Streetfashion Paris FW2010 Day 6

What are you wearing during the coming fashionweeks? Your Givenchy-heels, your latest Celine-coat or that vintage Chanel? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris.

Chanel Catwalk Fashion Show Paris FW2010

Global cooling, not global warming was the inspiration for Chanel’s fall/winter collection. Now don’t think the show was about durable fashion or had something to do with eco-friendly production. No, on the contrary Karl Lagerfeld even flew in an iceberg from Sweden to decorate his catwalk. After the fashion show that iceberg was to be flewn back to Sweden as well. If you ask us, this kind of superfluous actions only increase global warming.

During the show the iceberg was slowly melting, so all models ended up walking in big puddles of water. What a pity for the luxurious clothes! Karl’s long pants, floor-sweeping coats & dresses and his fur boots all got wet.

His fake fur boots, we must say. Cause the whole iceberg-thing might not have been so politically correct, Karl did use fake fur for this collection. He commented: ‘You cannot fake chic but you can be chic in fake fur’ and explained that fake fur, nowadays, looks very realistic. Because you can hardly see the difference between real and fake fur Karl decided this collection was to be a ‘triumph for fake fur’. The fur came in brown, gray, white and black and was seen on the skirts, boots, pants, cuffs, coats, bags and collars.

Other fabrics were leather and the typical Chanel tweed. Tweed was, of course, used for some of the short jackets, but we saw it on some coats, pants and skirts too. The skirts were rather short, compared to, for example those of Marc Jacobs. They ended halfway the upper leg. The collars of almost all designs were high, as were the waisted pants.

Apart from a little bit of red Karl didn’t use any colors. The show ended with the last models all wearing white designs. Even the necklaces and the large rings were white (they were metallic during the first part of the show). It all looked stunning with the real, white iceberg in the background. Yet we think an iceberg from papier-mache would have been just as nice.

Streetfashion Paris FW2010 Day 5

What are you wearing during the coming fashionweeks? Your Givenchy-heels, your latest Celine-coat or that vintage Chanel? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris.

Sonia Rykiel Catwalk Fashion Show Paris FW2010

Enough of the frizzy red wigs at Sonia Rykiel! This time the models had cute pony tails and large pom-pom headbands. The models were happy about it. At least, they all put on a smile at the catwalk.

Sonia Rykiel herself proved she’s not involved too much anymore by sitting front row, next to Beth Ditto. Her daughter Nathalie had to do it all on her own. And she did a very good job.

She let Dutch model Mirte Maas (we say: excellent choice!) open the show. Mirte wore an XXX-oversized woolen suit and was able to make it work. The cozy knitwear that followed, had soft colors like beige, off-white and different hues of light brown. (What a relief after all the bright Sonia Rykiel for H&M colors we had to look at for months.)

There were dresses with knitted sleeves and woolen cardigans, worn with big belts. A long bright red coat with a huge safety pin looked very comfy. We saw pant suits, fur coats and military jackets. On a lot of the pants a diagonal shoulder strap was attached. It didn’t really hold up the pants, it was just a nice detail. In some designs the shape of the breasts was accentuated by the fabric. Yet it made the models’ tiny breasts look even smaller, but maybe that was the intention.

Halfway the show a pair of cycling pants, left behind from the summer collection, was shown. It was worn over a pair of white tights. Soon after that some colors were introduced. Three outfits had collared stripes all over them and a few other designs came in kobalt blue matched with black. Luckily the collection then turned back to neutral shades. Skirts, dresses and jumpsuits came by in satin, chiffon and a transparent sort of knitwear.

So according to Sonia Rykiel the trends for next winter are: natural colors, oversized suits, suitpants, large woolen dresses or cardigans and ladylike details. We can hardly wait!

The finale was, as always with Sonie Rykiel, a big party. All models came up in light-shaded marabou coats and dresses. They were smiling, clapping and dancing and seemed to have the time of their lives. And Nathalie Rykiel…, she just partied along.

Backstage at John Galliano: his own boudoir

Karl Lagerfeld Catwalk Fashion Show FW2010

The latex headbands and leather leggings the models wore at Karl Lagerfeld almost were as shiny as the catwalk that was just polished by hand, right before the show. Powerful modern women walked the runway as if their life depended on it.

They looked like man-eaters attracting men with their sexy black outfits. Their streamlined clothes clearly accentuated their bodies. And it seemed like a flash of their shiny, embellished outfits would be enough to make any men indulge.

The woman must have known how much men like latex leggings, cause they were there in almost every look. Of course these leggings are easy to combine with many different outfits, yet Karl’s combinations – with skirts, dresses and coats – were superb.

Apart from the crystal embellishments Karl didn’t accessorize his looks too much. And that, we think, was a wise decision. Because when you show a collection like this, you don’t need all the extra fuss. All eyes needed to be on the strong, streamlined man-attracting designs.

Viktor & Rolf – Backstage – FW2010

During the V&R show there was not as much excitement backstage as there usually would be. The reason for this, of course, was the fact that Viktor and Rolf were dressing their models on stage, in stead of backstage. It took away a lot of the tension behind the scenes, but on the catwalk the pressure was on!

With each outfit Viktor and Rolf had to put on one of the models we were worried whether or not they would make it in time. And fortunately they did. All the dressing and undressing was done in about twenty minutes.

Of course backstage a lot of the preparations were done. Viktor and Rolf had to be able to easily take off the many coats Kirsten McMenamy wore. So they shouldn’t be too tightened. V&R had to know exactly what to do with each dress too, so the rehearsals were more than necessary. Also, the models that walked in the second half of the show did have to be dressed before entering the catwalk (they were going to be undressed by V&R).

Though well-known models like Karlie Kloss, Mirte Maas and Patricia van der Vliet walked in the show. They were hardly recognizable. They all wore caps and sunglasses and had large ponytails. Their make-up was plain: bleached eyebrows, light-colored lips and a rather pale skin tone. So the make-up wasn’t too special but the spectacular show totally made up for that.

Jean Paul Gaultier Catwalk Fashion Show Paris FW2010

At JPG’s fashion show influences from many different countries wore used in the designs. We got a taste of Africa, Russia, India and Mexico. The styles from those countries were represented by extravagant headwear and folklore designs. There seemed to be so many different influences, it was hard to tell which country they belonged to.

Colorful African turbans were combined with satin dresses with chinoiserie prints. Black trenchcoats or fur coats were worn on top. There were colorful printed headscarves, fur hats and metallic Indian headpieces.

The models wore Masai necklaces combined with Western motorcycle jackets. They walked in harem pants with fur waistcoats. Their neon colored leggings heavily clashed with the folklore prints on their clothes. But it was all part of JPG’s cultural fashion explosion. Words can not even describe how wacky it all looked.

While the clothes varied in almost every aspect (shape, size, fabric, color) not much was to say about the collection in general. Apart from the fact that it was a cultural melting pot.

Between all influences JPG’s famous cone bra popped up every now and then. Though we loved watching the crazy styled outfits, the coats were the best pieces of the collection.

And the message of this show might just have been about embracing the cultural differences in the world and turning them into something of your own. At least we think that would be a nice approach.

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