Marc by Marc Jacobs Catwalk Fashion Show New York FW2012

For his second line Marc by Marc Jacobs, the designer mixed milirairy influences with a youthful style. Lot of dresses, from a red satin onewith purple appliqués and a gathered waist  to  smock dresses. Two-tone A-line pleated skirts reminded of schoolgirls. Knits were slouchy and cosy, and jackets ranged from the fuzzy double-breasted coat to more linear, car coats to parkas with a furry hood.

Silhouettes were practical and cool, nothing overly trendy, just foundation pieces for a smart looking wardrobe.

 

Rodarte Catwalk Fashion Show New York FW2012

This season the Mulleavy-sisters of Rodarte turned to Australia and its natives for inspiration. The result was a very feminin collection, with references to the red-earth of this continent, Aboriginal art, sheep and British heritage like fishermens coats and sweaters. There were leather jackets lined with shearling, chunky, cropped  sweaters, and a rust-colored skirt-suit. Native influences peeked through in some of their dresses, like a floor-length dress with  ruffles that mixed an aboriginal print with a lace collar.  Some dresses had a boxier, relaxed cut with sloped shoulders, dolman sleeves, and exaggeratedly ladylike Victorian collars, while others in black and white leather were lean and strong.

New were  the accessories, including star brooches buried in the models’ hair, and the debut of their own shoes, many with buckles and straps and lucite heels filled with sand.

 

Y-3 Catwalk Fashion Show New York FW2012

Yohji Yamamoto’s Y-3 looked tougher than usual. His inspiration came from  the nomadic cultures of Central Asia, and the collection was a mixture of ethnic pieces (capes, ponchos and harem pants) and Americana (parkas, hooded vests and long, striped pullovers) shown in brights and a gray-to-black palette.

Carolina Herrera Catwalk Fashion Show New York FW2012

Navy and black, a strong combination, opened the show of  Carolina Herrera yesterday. It was a beautiful display of regal elegance.  The first looks came in shades of deep indigo with black accents. Fabrics, such as knits with feather and fur details, blurred the line between traditional day- and eveningwear, and had a modern touch. The second part of show was lighter and less subtle, with heavy handed abstract prints by artist Joe Duke.

 

Phillip Lim Catwalk Fashion Show New York FW2012

Phillip Lim challenged himself this time with a graphic collection in mostly black and white, with some added neutral tones and some brights at the end. The suiting was beautifully tailored, the perfect middle ground between nonchalant and professional. The tapered trousers and soft blazers remained. Lim started with the idea of comic books, which resulted in a duality of shapes, creating a slimming, curvaceous tromp l’oeil silhouette. It also played out well with the  houndstooth pattern.

Lim  introduced chunky knits and tweedy greys. More texture was developed through cable detailing on sweaters, filmy transparent panels,  , and sheeny damask.  Towards the end, Lim welcomed colors, like blues, deep green and tangerine.

Donna Karan Catwalk Fashion Show New York FW2012

Donna Karan returned to chic urbanity for coming fall. The collection focused on a thin silhouette and men’s tailoring, often in pinstripes. Karan incorporated her signature a-symmetric style — half-collars, side-draping, off-kilter slits — and dared to revive an audacious shoulder. The dresses shown had an architectural, sculpted feel, as though the fabric – black matte crepes – had been simply moulded around the models’ bodies. She finished everything off with fabulous asymmetric hats. Eveningwear looked  fresh with lean, constructed gowns and a nice mix of felted jersey and sequins on sheer fabrics.

Marc Jacobs Catwalk Fashion Show New York FW2012

It was a spectacular set at the Marc Jacobs’ show yesterday. The designers’ friend artist Rachel Weinstein was responsible for this paper construction looking like “a broken castle. Marie Antoinette’s version of ruins”, she told the press. But nothing reminded of 18th century France. It was more like modern streetstyle meeting 17th century – and it was clearly a celebration of fashion and clothes.

The models wore pilgrim shoes with giant shiny buckles,and large furry hats. It was magical and poetic. A cacophony of textures and colours, Jacobs evoked a strange sort of folkloristic glamour. There was a continuation of the past two season’ fascination with contrasting fabrications. Wool stoles were buttoned over wool coats worn on top of patchwork skirts above cropped pants. Prints ranged from oversize paisleys to floral pencil drawings, and holographic appliqués dripped off dresses. Volumes were turned up to, including padded hips.

 

Derek Lam Catwalk Fashion Show New York FW2012

That was a clear and solid collection Derek Lam presented yesterday. The core clothes were chic, minimalist separates warmed up with American classics, such as a navy peacoat and cable knits, all of which were boosted by exceptional details and fabrics. Leather was a mainstay, whether on fitted baseball jackets with knit trims and streamlined shells, or as an accent, as in the black lambskin shoulders on a long ivory silk gown. It gave the collection a luxurious edge.

Thakoon Catwalk Fashion Show New York FW2012

Romantic and very feminine, in an almost cliche way – that’s what Thakoons fall collection reflected. An undercurrent of sly irony and subversive sexuality coursed through the collection, winking at bad taste along the way. A camel coatdress that looked plain and proper from the front had an exciting  purple leopard-printed pony collar and a leather basket-weave panel in the back. Crinkled patent leather came in black and wild pink.  Chubby sweaters were laced with Mongolian fur. And for the girl who doesn’t wear her heart on her sleeve, there was chic understatement too, such as a black halter — completely backless — worn with matching trousers.

Tommy Hilfiger Catwalk Fashion Show New York FW2012

Town meets country, seemed to be the theme of Tommy Hilfigers fall 2012 collection. And it proved to be a strong lineup of polished silhouettes with equestrian and military touches rendered in warm, fall hues like burgundy, brown and forest green.

There was lots of outerwear, including riding coats, a leather trenches, a double-breasted patent leather one and a houndstooth coat with vintage appeal. Cable knit was another point of interest, which Hilfiger translated as a print on a loose fitting dress. There were other riding motif prints (on silk halter dresses, blouses and skirts), as well as quilted suede jackets and skirts.

« Previous Page — Next Page »