Kenzo Catwalk Fashion Show FW2010

Kenzo’s invitation was a vacuum plastic ‘bag’ with different sorts of dead leaves in it. Kenzo’s catwalk was decorated with what looked like dead palm trees. Let’s just say Antonio Marras wanted to make clear he was showing his fall collection for the brand.

Bourgeois and bohemian styles came together in this seventies inspired collection. Long, wide, dresses were made out of multiple fabrics. Marras chose the most beautiful floral and graphic prints and let those prints come together in his patchwork designs. The autumn colors (light brown/terracotta, light green, yellow and faded pink) he had picked, looked lovely.

Not only different prints were mixed and matched, diverse fabrics were seen in one look as well. Airy floral dresses were combined with fur and sequined waistcoats. Next to the floral dresses we saw checked versions decorated with bibs of feather creations. They were followed by a few darker, striped designs.

The felt hats looked great. Together with the printed scarves, sunglasses and wegde-soled boots they were the perfect accessories for this boho collection.

We read Marras mixed the styles of iconic women like Maria Schneider, Tina Chow and Farrah Fawcett for this collection. But we’ve never spotted these women in such outstanding designs before. And although we liked the show, it wasn’t something we’d never seen before at Kenzo.

Emanuel Ungaro Catwalk Fashion Show FW2010

After a week of front row appearances Lindsay Lohan was a no-show at the Ungaro fashion show. She didn’t attend the show, she didn’t show her face at the end of the runway and according to the fashion label she wasn’t even involved in the collection.

Yet it is rather strange that at the one show where LaLohan was actually supposed to be, she didn’t even stop by to say hi. We’re sensing some kind of argument between Lohan and Ungaro. Cause, if Lindsay was just not involved in this one collection she could at least have taken a seat frontrow, like she did at all the other big shows in Paris this week.

We can imagine Ungaro wanting to end to collaboration. Last year’s collection was totally slated by the fashion critics, especially due to Lohan’s heartshaped pasties. Yet at this moment nobody knows if she’s still involved or not.

On the Ungaro website we can still read: ‘Lindsay Lohan is appointed as  Estrella Archs’ Artistic Advisor. They will work together using their combined talents, instinct and intuition to define and promote the Ungaro brand.’ Yet if you keep in mind what Estrella Archs said before today’s show: (‘You have up and downs and you learn a lot, more from the downs than from the ups. I feel that I have to work, work, work and work. I’ve been doing this for a long time, with different people and different houses, and I think this is the best medicine’) you know something’s going on.

We’ll keep you posted on this matter, now let’s talk about the new collection. And let’s see if it was any better than that of last seson….

Emanuel Ungaro showed some bright colors (green, red and pink) for fall. Those colors were used for the fancy cocktail dresses, the jackets, blazers and pants. On many outfits a colored waistband was added as well. We, for instance, saw a gold/yellow pair of pants combined with an animal printed coat and a red waistband.

A lot of the accessories came in red. A pink printed dress was finished by red shoes, a red clutch and a red waistband. Though you’d think the colors would clash it looked all right. Except for the black tights and the blazers, those items took away all the fun from the dress.

The collection had many strapless and asymmetric dresses. Some kind of dots in different bright colors were printed on them. The dots also appeared on a jumpsuit, but they never looked great.

Overall the collection was pretty save. There wasn’t anything new about it. The cocktail dresses may be cute, but I think we’ve seen enough of them already. The same goes for the blazers and the jumpsuits; there wasn’t a specific Ungaro style added to them either. Besides, it seemed the brand didn’t realize we were expecting a winter collection. Or maybe they just wanted a second chance at their (horrible) last summer collection, who knows…

Givenchy Catwalk Fashion Show Paris FW2010

Riccardo Tisci proved it is possible to translate a ski & scuba-theme into a dark, mysterious collection. There were some tight, cheerful knits with a snowpattern and neoprene pants, but it never got too sporty. The slim pants and skirts, unzipped and unfurled at the waist, referenced scuba gear for some, Seventies ski outfits for others.

It was just another collection with Tisci’s signature tailoring:  sharp coats, tuxedo suits, and lean black pants. Red glitter gloves, bags and lips accompanied the clothes, as did sexy scarlet, black and nude lace. One of the best looks were the black leather pieces — mini slips and skirts — mixed with lace.

Stella McCartney Catwalk Fashion Show Paris FW2010

Suddenly clean, minimal fashion is a hit. It started with Jil Sander and Raf Simons, then Phoebe Philo at Celine and now Stella McCartney got caught by it too. Gone are her sexy, flirtatious clothes with a classic touch, her fall/wintershow opened with a sleek gray cashmere coat just above the knee, worn with bare legs and slingbacks. Second outfit was a camel/blue  tunic with oversized stripes worn with slacks.

Gray, black, blue and camel were the main colors of the collection, with orange and fuchsia as shocking contrast. Graphic illusions were created with floating sleeves and geometric wool appliques on organza dresses. Cosy and comfortable were oversized cardigans in fishermen’s rib and a wrap coat in structural wool. Great basics were the stretch stirrup trousers, their slim silhouette paired effortlessly with the knitwear and tunics.

The eveningwear looked more glamorous with the draped backs and flesh revealing slits. The dresses had long train extensions.

The show was dedicated to her family, kids and team, but also to Lee – Alexander- McQueen. ‘You’re missed’, Stella wrote in a personal note.

John Galliano Catwalk Fashion Show FW2010

The models at John Galliano’s fashion show represented a tribe of adventuring nomads. They wore large coats with fur accents. Some of them wore enormous hats, others had their hair folded into some strange architectural shape.

Like Jean Paul Gaultier, John Galliano used different cultural influences in his show as well. Galliano’s nomads were in fact crossing imaginary borders in search of new land.

The show was a true spectacle. Silver glitter fell from the sky and even fireworks were used. We really had to focus not to let that distract us from seriously looking at the collection.

Galliano designed a lot of coats. They first came by in gray, but later on  we could also see some green, yellow, gold and printed pink. As always with Galliano many details and accessories were added to the looks, which all deserved some attention. Tight necklaces, waistbelts, fur cuffs, floral printed trousers, feather jewelry, striped leggings and colored shoes. Not to forget the crazy hats, wigs and bronze make-up. The models looked larger than life in their voluminous designs and oversized hats.

Towards the end the fabrics became thinner and more skin was shown. Light-colored and transparent fabrics were used for more feminine designs. The show ended with a few long, gold and silver-embroidered gowns. Although we think transparencies and fur are not the best fabrics to combine in an evening gown, it sure was fun to look at.

Sonia Rykiel Catwalk Fashion Show Paris FW2010

Enough of the frizzy red wigs at Sonia Rykiel! This time the models had cute pony tails and large pom-pom headbands. The models were happy about it. At least, they all put on a smile at the catwalk.

Sonia Rykiel herself proved she’s not involved too much anymore by sitting front row, next to Beth Ditto. Her daughter Nathalie had to do it all on her own. And she did a very good job.

She let Dutch model Mirte Maas (we say: excellent choice!) open the show. Mirte wore an XXX-oversized woolen suit and was able to make it work. The cozy knitwear that followed, had soft colors like beige, off-white and different hues of light brown. (What a relief after all the bright Sonia Rykiel for H&M colors we had to look at for months.)

There were dresses with knitted sleeves and woolen cardigans, worn with big belts. A long bright red coat with a huge safety pin looked very comfy. We saw pant suits, fur coats and military jackets. On a lot of the pants a diagonal shoulder strap was attached. It didn’t really hold up the pants, it was just a nice detail. In some designs the shape of the breasts was accentuated by the fabric. Yet it made the models’ tiny breasts look even smaller, but maybe that was the intention.

Halfway the show a pair of cycling pants, left behind from the summer collection, was shown. It was worn over a pair of white tights. Soon after that some colors were introduced. Three outfits had collared stripes all over them and a few other designs came in kobalt blue matched with black. Luckily the collection then turned back to neutral shades. Skirts, dresses and jumpsuits came by in satin, chiffon and a transparent sort of knitwear.

So according to Sonia Rykiel the trends for next winter are: natural colors, oversized suits, suitpants, large woolen dresses or cardigans and ladylike details. We can hardly wait!

The finale was, as always with Sonie Rykiel, a big party. All models came up in light-shaded marabou coats and dresses. They were smiling, clapping and dancing and seemed to have the time of their lives. And Nathalie Rykiel…, she just partied along.

Céline Catwalk Fashion Show Paris FW2010

Phoebe Pilo’s debut springcollection at Céline was a huge success. Copies of her crisply chic safari jackets and dresses, the long white shirts and A-line skirts are dominating the stores of  cheap fashionlabels as we speak, but the house’s originals are also selling very well. Philo’s first collection was  a breath of fresh air at a time when fashion needed a respite from recession and the glamazon  look of black leather and big shoulders.

So expectations were high for her second collection. But as Philo said in her interview with T-magazine, she continued her work with great investment pieces in the best fabrics and in her signature clean, sophisticated cut. No frills, but deep blue coats instead, tailoring, short jackets, skinny pants, white (lace) shirts and leather pockets as a contrasting detail at A-line skirts. Ultra-chique and a winner were the white lammy capes. Simple, but feminine.

Costume National Catwalk Fashion Show Paris FW2010

The Costume National-collection reflected the menswear-collection, presented earlier this year in Milan, with lots of knitwear, wool and leather. The overall image was that of a tough girl wearing brown  leather suits or skirts mixed with fluffy, fringy knitted jackets, sometimes sleeveless,  and sweaters. Dresses were short and also had fringed detailing.

It was the usual Costume National mix and match of contrasting structures in fabrics, shiny and matte, fluffy and smooth, woven and knitted. Sometimes orange clashed with brown, or silver with black. Only this time it looked more tailored but raw too.

Hussein Chalayan Catwalk Fashion Show FW2010

When we arrived at Chalayan’s fashion show the building was filled with the sound of busy city traffic. After everyone was seated (in the way too small chairs) smoke was blown in the air and we heard Chalayan paying a tribute to designer Alexander McQueen on his show soundtrack.

The first few models that were sent out on the runway wore some kind of fireman hats with long flaps at the back. Stiff, dark-colored coats, jeans and grey gym shoes completed their looks.

Then the traffic sounds changed into the sounds of birds, a church clock and a tram and models in different styles entered the runway. They wore headpieces like straw bonnets, metal antenna’s with a feather at the end and some face-covering silver Lurex.

A few pairs of glasses, which read ‘mirage’ (also the name of the show) seemed to give us some explanation on the crazy line-up. Were the diverse designs and headpieces made up in one of Chalayan’s fashion Fata Morgana’s?

While the ‘music’ changed to all kinds of radio channels (we even heard Justin Timberlake’s –  Rock your body) models in big ruffled jackets came on. The jackets were purple- and red-colored and had a lot of volume. The ruffles popped up on a pair of shoes too and some models even wore red clogs.

Raincoats- and hats, capes with matching binoculars and high-waisted woolen pants were part of the mirage too. They were followed by long glitter dresses, shown in black, white, purple and blue. At the end of the show several black dresses with black and pink hats came by.

Altogether we thought it was one messy collection. It was only after Chalayan explained that the clothes represented different states in America (New York, Pennsylvania, Dallas, New Mexico, Utah and Las Vegas) the whole show idea became clear to us.

We felt like Chalayan could have explained it all a bit better…But then again, yesterday even Jean Paul Gaultier didn’t manage to portray his different countries so well in his show.

Karl Lagerfeld Catwalk Fashion Show FW2010

The latex headbands and leather leggings the models wore at Karl Lagerfeld almost were as shiny as the catwalk that was just polished by hand, right before the show. Powerful modern women walked the runway as if their life depended on it.

They looked like man-eaters attracting men with their sexy black outfits. Their streamlined clothes clearly accentuated their bodies. And it seemed like a flash of their shiny, embellished outfits would be enough to make any men indulge.

The woman must have known how much men like latex leggings, cause they were there in almost every look. Of course these leggings are easy to combine with many different outfits, yet Karl’s combinations – with skirts, dresses and coats – were superb.

Apart from the crystal embellishments Karl didn’t accessorize his looks too much. And that, we think, was a wise decision. Because when you show a collection like this, you don’t need all the extra fuss. All eyes needed to be on the strong, streamlined man-attracting designs.

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