Groupielove #6

Trey Speegle’s giant paint-by-number canvas spelling out the word YES at the back of Stella McCartney’s runway summed up the mood of her collection quite succinctly. These were uncomplicated, upbeat, and above all colorful clothes for women who prefer not to think too hard about getting dressed but still want to look young, sexy, and chic. It’s a sentiment that McCartney, a mother of three young children and the head of a growing fashion empire, understands intimately—as do her loyal customers, including front-row pal Gwyneth Paltrow.

Groupielove #5

After a couple of seasons of citified dressing, collectors of Dries may well be pining for his more eclectic, decorative pieces. If so, they’ll find plenty of them: coats, soft boxy jackets, wrapped dresses, and sarong skirts in a plethora of fabrics and embroideries that looked as if they’d been sourced from a trip around the markets of China and Southeast Asia.

In among them, there were items—like the silver lamé tank with a sheer back, the khaki shorts, and the sparkly jackets—that will also allow fans to dip into trend without going overboard. The incredible necklaces—rich-looking pearl chokers dangling geometric pendants set with large semiprecious stones and crystal—made gorgeous viewing.

Groupielove #4

Karl Lagerfeld is still going strong and he can’t get enough of fashion yet. “I like imagination — and the way I think things could be, had been, or should be — better than reality”, is one of hist latest oneliners at Twitter. Well, hios collection for Fendi was better than reality: wispy fabric, ivory and ecru, off-pastels, and fraying edges with a little touch of Parisian lingerie. It looked as if Karl Lagerfeld had drawn from his French vocabulary to make a cream silk high-necked playsuit (part classic blouse, part romper) and a dotted tulle shirt with a frilled triangle bra beneath. Thankfully, it didn’t slip completely into the clichés of boudoir (hypersexy is not the mood). That’s because of the more rough-hewn elements—say, a pale blue linen sarong, wrapped like a simple piece of raw-edged fabric around the body—and the incredibly luxurious Fendi craftsmanship.

Trends ss2010: colorful kisses

In many shows the models had a very natural look. The make-up made them look pretty and fresh but it was not exaggerated. Sometimes it was as if the models had no make-up on at all.

Of course there were exceptions. We could see dark smokey eyes, white-painted faces and strange-looking eyebrows. We also noticed some colorful lips passing by. Altogether nearly every possible shade of red was used for the models’ lips. Some bright colors like blue (Paul Smith, Doo Ri), green (Iceberg) and orange (Loewe, Prada) were shown as well.

At John Galliano’s show the models had ultra-thin eyebrows and small dark-purple pursed lips. The models at Viktor & Rolf had bright red lips with an extra gloss. Vivienne Westwood’s models had red lips that ended halfway their chin, looking somewhat like a bird’s bill. It made perfect sense, since all models had the looks of a tropical bird.

There is no specific trend when it comes to the color of the lips. It seems next summer any shape or color will do.

Tess van Daelen

Groupielove #3

Christopher Bailey, chief creative officer of Burberry, and one of Great Britains best-known designers, collected last monday his MBE from Buckingham Palace. Bailey, 38, was appointed a Member of the Order of the British Empire  in June this year, for his services to the fashion industry “This award also recognises the incredible team that I work with and it is a privilege to be a part of Burberry, a great British brand” Bailey said.

The recognitions are the latest in a long list of awards for the talented Yorkshireman. In 2004, Bailey received an honorary fellowship from the Royal College of Art, from where he graduated with an MA in 1994. He also holds honorary doctorates from the University of Westminster and the University of Huddersfield.

Groupielove # 2

In a serene and beautifully judged collection done almost entirely in shades of cream, Tomas Maier put the individualistic way we use clothes at the center of his thought process. “I think of it as a collaboration with women,” he said to style.com. “The clothes are meant to be a backdrop, a blank canvas, so the wearer can play with color and accessories to change the look and make it her own.” The concept of the neutral background came when he saw a group of children being dropped off at a karate class in Florida, where he lives: “I liked the look of the canvas, and that became my color card—white, cream, straw. And the idea of the soft belt.” Et voila, another beautiful collection was born.

Au revoir Christian !

This week, a French court approved a restructuring plan for bankrupt label Christian Lacroix that will reduce the house to a licensing operation. Only about a dozen of the roughly 100 employees will keep their jobs. The label’s problems culminated with the parties that expressed interest in buying the label but failed to produce financial guarantees in time to rescue it.

Experts say Lacroix focused too much on haute couture collections. Successful labels use couture nowadays as marketing efforts. No label sells enough couture clothes to justify it. Lacroix was notoriously insistent on maintaining its high-end approach to clothing. Under LVMH’s ownership, Lacroix made lower-priced Canal and Jeans lines. When the Falic group bought the label in 2005, they were quick to do away with those. Lacroix was happy because he didn’t want to be bothered with the more affordable things. But still, where were the Lacroix sunglasses? Perfumes? “It” bags? Sales of items like those account for the bulk of profits for luxury labels. Lacroix’s C’est La Vie fragrance never even took off. Fragrances are powerful profit drivers, but we shouldn’t forget fashion’s other highly potent force: divas. Look at Lady Gaga. She’s in Vogue, she was the first non-model to wear Alexander McQueen’s spring 2010 Alien shoes, and she was the highlight of New York Fashion Week and plenty of other things.
There should have been a diva out there for Lacroix to dress.

For me Lacroix was the beginning of my career as a journalist in fashion. I still remember my first fashionshow ever, Christian Haute Couture spring 1989 in hotel Intercontinental in Paris. It was breathtaking. Powerful, colorful, and very French joie de vivre. But times changed, as did women, fashion and the business.

So for old times sake: some highlights of past collections.

Jetty Ferwerda

Groupielove #1

Balmain is the hottest label in town. For spring  Christophe Decarnin brought out another whammy of a no-brainer blockbuster: disco cavewoman goes to the front. His army of sizzling, sleek-limbed supergirls strode out with huge-shouldered, metal-epauletted military tailcoats. Their T-shirts were tattered; bullet belts were slung around artfully “destroyed,” stained, and holed jeans or, yet more sensationally, minute, hypersexed, raggedy suede and leather loincloths (the term “skirt” hardly covers it). No wonder the models had fun, these clothes were made to suit their bodies. Daria Werbowy was exclusively booked to do the show.

Backstage atmosphere ss2010

We will have our backstage-material online soon. It’s always a pleasure to flip through those images, because the give a totally different view of the collections, models and sometimes designers. We’ll be back with more asap!

Peter Stigter aan de Muur: first images are sold!

The first images of Peter Stigters latest charity-project are sold. Fans of Peter’s work and fashion couldn’t hardly wait for the photogallery to come online. The friday after the launch we already had an order of three (!) pictures from one collector, and there was more to come during the week-end and monday. The dogs at KNGF will be very grateful. They also payed a visit at the launch, last friday.

You can still see the pictures at:

Peter Stigter aan de muur @ Fashionmania by Rollan Didier
2e Laurierdwarsstraat 64
1016 RC Amsterdam

13/11 – 20/12 2009
Openinghours: thursday – sunday.
thu & fr: 16.00 – 19.00 uur
sa & su: 14.00 – 19.00 uur
www.peterstigteraandemuur.nl

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