First View Milan Womenswear FW2013: Fuzzy & Furry

It was the soft spot that caught our eye. Fashion is serious business nowadays, what makes it exiting to see some items that are slightly out of sinc. It is not in number that these fluffy flounces made impact. It is in proportions. These caused some of the models to look nearly as wide as they were tall. From slightly austere in compact curly astrakhans to fluffy alpaca piles, cosy camel teddy bear looks and chunky boucles. It needs slender, tall models to show these looks with elegance yet many may have found comfort and ease in these soft sheltering styles. Not just in jackets and coats, also in giant knit sweaters with twisted cables, trimmed and sleeved with high pile furs. For the more extreme we spotted wild fluffy Big Bird jackets and feathery hairdos.

Ports played with New Look proportions combining astrakhan jackets and hoodies with full circle, below the knee, skirts.  Max Mara’s cocoons where almost caricatures’, showing bulky layers of fuzzy fur-looks in giant square tops and coats. Blumarine showed boho flair in lean long-loop-knitted cardigans and pastel shaded shearling bikers. Gucci combined sensual curves with cosy egg-shaped astrakhans and pony hair jackets.

Maybe it is time to re-hype cocooning!

Stylespot is a cooperation with Stijlinstituut Amsterdam

First View Milan Womenswear FW2013: Film Noir

Where fashion is more and more about garments and less about obvious trends that break with previous seasons, here we DO have a trend. It is back to the 40’s with a Film Noir twist. Not that we haven’t been there before. But here it is invigorated with a refreshing raw edge. Refined and elegant, sexy as well as romantic, revealing bits of darkness and gloom.

Miuccia Prada launched her exercise in fashion as cinema. She stages stories of woman and life. ‘Who cares about the dress?’ was her genius quote on Style.com. That is such a meaningful sentence. It is the emotion surrounding the garments that counts and nothing can light up the fire as powerful music and a filmic set.

Nevertheless this was all about lovely lean tailoring, extremely luxurious in desirable fabrics. Beautiful garments as cabans, peplum jackets and hourglass dresses with exaggerated hips. Tailleurs, fishnets and gloves to match with long curvaceous skirts.

Prada referenced Film Noir. She staged the obsessions and passions she shares with both David Lynch and Alfred Hitchcock.

Gucci was darker; adding austerity, vigor and fetish. An ode to craft, embellishing power women and femmes fatales. Dsquared² dived deep into the 40’s with curvy skirt suits and shapely double-breasted jackets. All very costumy and posed.

Let’s make movies!

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

First View Paris Womenswear SS2013: Drape to Go

An ode to femininity! Embracing womanhood by wrapping ladies gracefully in luxurious layers of precious draped cloth. Slouchy softness in weighty wrap blouses and full trousers. Knotted and folded décolletées, peplums and roomy ribbons. All draped and dressed up to go in layers of luxurious georgette, soft, dense satins and heavy drape silks. Smooth polished surface looks in a sober and strict palette of pearl, silver, black and white. Wrapped, draped and swagged outfits make powerful statements about femininity and sensuality. Each fold minutely controlled, to realise such perfectionism needs in-depth sculptural knowledge of the human body and supreme tailoring skills.

Céline shifts from geometric minimalism to a much softer silhouette. Maison Martin Margiela drapes carefully and restrained. More statuesque and dramatic folds at Victor & Rolf as inspired by old Hollywood. Vandervorst covers as well as reveals in a way that reminds us of the classical antiquity.

Paris shows us a series of supreme crafted styles subtly sculpted by the grand masters of shape.

Stylespot is a collaboration with Stijlinstituut Amsterdam

First View Paris Womenswear ss2013: Futurist Foils

All about enchantment, entertainment, fun, freedom and sexiness. This soft side of techno in synthesised sheen. Optimistic vibes that reflect from iridescent surfaces. Sheer foils and parachute veils are layered over plain, cut, as well as printed opaques. Dress-up dresses, most in simple a-shapes, are slashed and cut in graphic shimmery blocks, as well as prettily patterned in luminous florals and arty and decorative abstracts.

Looks like playful exercises, mixing and matching layers and veils to trick and puzzle the eye.

Luminous surface looks add an alienating dimension to pure iconic shapes at Christian Dior. Rue du Mail plays with items, blocks and layers of mixed materials. Dior ’s ball gown skirts in featherweight organza are shot with pearlised reflections. Where Chalayan’s translucent, intergalactic sheen adds a virtual touch to sculpted geometric minimalism.

These futuristic and surreal surface effects revibe even the most classical couture silhouette.

Stijlspot is a collaboration with Stijlinstituut Amsterdam

First View Paris Womenswear SS2013: the New Sexy

Our first spot on Paris hints at a classical and mature approach towards fashion. Powerful silhouettes in pure black and white. Well known modernist geometry peppered with a swift whiff of sex. Smooth sensual and pure looks that reveal subtle glimpses of skin. All executed with tailored precision.

Expanding on traditional classical beauty and clearly inspired by historical archives but sprayed with modern gloss. Hard edge geometrics and sharp shoulders are softened with curved décolletées, sculptured volants and roomy pleated pants.  Outfits suggest unashamed sex and sensual looseness but are staged with well-calculated sophistication and couture aspiration.

Balenciaga shows icons of sensuality and femininity in lingerie and swimsuit inspired tops matched with high waisted flat pleat pants. Balmain shows hard edge masculinity in broad shouldered power suits covering simple and sexy bandeaus. Carven is truly sculpting in curved sensual tailoring. Where Balenciaga was clearly intrigued by the Antique when shaping this revealing dress with meandering sculpted volants.

Who would ever have thought that the image of the ‘bare midriff’ could be raised up to classical standards?

Stylespot is a colleboration with Stijlinstituut Amsterdam

 

 

First View Milan Womenswear SS2013: Eastbound

Do we dare to suggest this influence will stand strong for another season? For many years the East is of continuous inspiration. For Etro it was leading this season. Digging deep in pattern archives they strive to make the traditional relevant for another new fashion season. With a star role for the paisley they stay close to their roots. We see engineered hand-painted prints that reflect on martial arts, orientalist paintings, traditional kimonos and tattoos.

Generous wrap silhouettes inspired by judo suits with traditional knotted belts. where the pants come in all different lengths. Fusions of saris, cheongsams, kurtas, and caftans in shimmery silks, matt cottons as well as floating sheers. From hand painted florals, to lavish stitched ornaments, dragons and flowers, engineered prints and dimensional patchwork.

Emilio Pucci  layers techniques to update as well as upgrade tradition, Marni adds holiday flavor in bold cotton print, Etro shows classy and sensual silhouettes, where Prada enters a totally personal twist.

This season The East comes with luxurious grandeur.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

First View Milan Womenswear SS2013: Pure Now

We open our Milan survey with a statement of minimalism and purity. Simplicity and geometry in contours and lines are sparked with reduced surprise and understated fun. Open and subtle graphic patterns, or most plain with volants, florals and dots. In simple and sharp basic white, grey and black or plain, vibrant and colorful.

It is striking that this exercise of the clean and serene, this excellence in manufacturing, seems too empty for designers and reviewers to label it just graphic and pure. They stress to look for a deeper meaning and search for the soulful, sentimental and personal. This is a noble attempt to design the now and tomorrow, detached from false sentiments of nostalgia.

Gucci shows aristocratic purism, Prada adds soul by making the graphic all tender an personal, Fendi deletes the logo’s to show clean integrity in reduced tailoring where Jil Sander celebrates the pure in light, fresh and pristine looks.

We like to label this as surprisingly gorgeous reductivism.

Stylespot is a collaboration with Stijlinstituut Amsterdam

First View New York Womenswear SS2013: Patchwork

Patchwork Part 1

A patchwork parade of energetic pieces and brave design experiments. Collage couture with an edgy urban cool factor in acid and surfer brights with jet black and silver grey.  Eye-popping textures are alternated with slick sheen and metallic shimmer, fluidity with chunky, sculptural textiles.

Proenza Schouler shows experimental mixes of plains with perforated, bonded, laser cut and crocheted surfaces. Mixed with diagonally stitched strips of digital print. Diane von Furstenberg is faithful to her hippy deluxe, flirty fashion. Kaftans, wrap skirts, jodhpurs are all worn in layers. Rodarte shows collages of guipure, jacquard, jewellery and panels of printed silk.

In this print parade and mix mesh of textures there is a common vibe, which binds together a large variety of designers. But underneath this collage of design experiments we recognize the roots well planted by Balenciaga, exploring the interaction between technology and craft.

Patchwork Part 2

Cool is THE word reviewing NY fashion week. Street-y cool, retro cool, ragtag cool, hippie cool are all synonyms used by Style.com for the Peter Som collection. Yet these cover a whole generation of designs, showing oh-so-sweet looks with bohemian flavor. Icons of romance and nostalgia; puffed sleeves, frills, flounces and gatherings, receive an infusion of cool through mad mixing, digital printing, weird cutting and pasting and piling contrasting layers in different proportions.

A print parade of classics as well as digital re-editions.

Marc by Marc Jacobs shows a mix mesh of patterns all brought together with fun, flair and bravery. Phillip Lim makes street-wise collages of patterns and plains. Peter Som adds a cool twist to traditional retro where Rebecca Minkoff mixes young and sexy with bon-vivant, grandma-chic.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

 

 

First View New York Womenswear SS2013: Optical Illusions

This is fashion’s new  season range of great looking, shape-shifting garments.

Marc Jacobs surprised with a ravishing revival of the swinging 60s. Reminding us of Andy Warhol and his Factory. Reviving the fresh looks of It girls Edie Sedgwick and Peggy Moffitt, both icons of New York cool.

Marc Jacobs played games with graphics in looks that are playful and upbeat, cartoonish and sexy. Adding modern twist, fresh swirl and a crispness that leaves no room for nostalgic sentiments. Optical illusions in neat dazzling stripes and a white variety of geometrics here in a stripy lower then low slung skirt and a jumpsuit with bold bended block stripes. Alex Wang showed boxy, fragmented outfits; cut and slashed in seemingly loose and mysteriously floating bits and pieces. Lacoste goes racy in a sexy cut out dress that plays with contours and proportions.

Fantastic entertainment thanks to the right mix of fashion magic, genius and artisanship.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

First View New York Womenswear SS2013: Workwear

The workwear-theme is a direction that is going to fly at retail. Uptown clothing with slight hints of couture sensibility, fueled with a youthful vibe. Wearable clothes with an almost unfinished looseness designed for the freedom of movement. Altuzarra introduces a cape-jacket featuring sleeves with air vents. We are all pretty sure that this will be one of the most copied attributes coming seasons. From neat, upbeat authentics, twisted traditional bikers to cut-up, nonlinear patchworks, it is all about tough versus tender, showing bold square and male outlines that are nipped at the waist, schoolgirl short, crisp white collared and even showing hints of lace trimming

Altuzarra buckles up as well as buttons down which makes an exiting contrast, where Rag & Bone shows Victorians on Safari, spicing biker classics with sweet romance. The Sahara shaded Belstaff collection shows the sensual side of its motor-cross heritage.

And there is more, from the hooded tent-dresses of Yigal Azrouel to the patchwork denims and shredded khakis of Phillip Lim. All extremely shoppable.

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