The Big Round Up Womenswear FW 2013 Part 2
This is the second part of our round up regarding the fall 2013 collections, which focuses on Prints, Fabrics and the designers’ favorite coming season: checks.
CHECK SHOCK
From left to right: N21, Junya Watanabe, Céline, Jesús Del Pozo, Rag & Bone
A mash up of Scottish tweeds, plaids, checks, Prince of Wales suiting and hounds tooth jacquards. Classic, twisted, cut up, patched or blown up to grandiose proportions. These are definitely all from the now – heritage inspired, college prep, BCBG, archetypal and iconic but reinvigorated – rejuvenating tradition at N21 and Rag & Bone, adding a punk coded sense of rebellion at Junya Watanabe or with artful tailoring at Céline and Jesús Del Pozo. Check marks everywhere!
TEXTILE ART
From left to right: Comme des Garçons, Chanel, Hermès, Fendi, Lanvin
Free floating freedom and fun. Cascading swatches of fabrics, rosettes, bows, thick serpentines and bold biomorphic shapes at Comme des Garçons. Rounded flounced belle Époque bustles are a joyful explosion of extravagance at Chanel. Crafted spontaneity at Hermès, fringed skins at Fendi and butterflies appliquéd at Lanvin. All with techno-barbarian enthousiasm. These are exercises in pure texture.
PRINT STORY
From left to right: Mary Katrantzou, Rodarte, Tom Ford, Peter Pilotto
Welcome to the catwalk circus. Exalted excess in a cultural cross over ranging from glam, to disco, pop to op and manga to Marvel. Fantastical shadowy landscapes in misty monochromes at Mary Katrantzou and cross-cultural multi ethnic Flash! and Bang! at Tom Ford. The very personal folksy mysticism of Rodarte and the cartoonish verve of Peter Pilotto. We are talking maximalism here!
Stylespot is a collaboration with Stijlinstituut Amsterdam
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The Big Round Up Womenswear FW 2013 Part 1
March 13, 2013 by Jetty
Filed under Fashion, Featured Items, Milan, New York, Paris, Stijlspot, Stylespot, Trends, womenswear
Nothing as rewarding as summarizing after a grand series of shows. First of all you just note likeness and all similarities. Starting to pick out the headlines it becomes clear that there is always something really exiting to spot! Same procedure for fall 2013. Next to continuous retrospection there was introspection – designers looking inward to find a personal way of expression and re-finding their personal signature. The ones who did, did not dive into trends, the trodden paths of competition, but sourced for their most intimate inspirations. The happy aftereffect is that we met moments of sincere emotion and passion. The most beautiful quote to conclude this was coming from Miuccia Prada: “Who cares about the dress?” she said, this is about “Stories of women and life,”, Phoebe Philo declared backstage after her show for Céline: “It was coming from a place of emotion and intimacy, something instinctive. There was softness and desire, to create something emotionally engaged.”
Some collections might not have had the shock of the new and many showed that swift notion of the mid-century modern. Most interesting it was when a faint whiff of nostalgia was balanced with nowness. A lingering trend we spotted was the eccentric mixture of nostalgic wallpaper florals, art nouveau, Scottish heritage, Art Deco and Liberty blooms. All simmering in romance.
The buzz words where: intimate, feminine, elegance and emotion. Not just the collections played their roll. In some cases the interest in settings and sceneries became predominant. The Vuitton show unrolled like a silent movie. The mood was the 1920s, as the models came through each door on the corridor that was the hotel set. An atmosphere just as cinematic was the Film Noir setting at Prada – a spinning ceiling fan, shadows cast by blinds, a woman silhouetted in a doorway, waiting for…? All by means of an artful back projection. Miuccia launched her exercise in fashion as cinema.
Another hot topic was warmth generated by tactile softness. Cuddly, fluffy and sheltering. The number of soft and brushed looks grew steadily during this catwalk season. Especially coats where cuddly and generous in proportion. For some designers softness was the covering theme. Hernandez for Proenza Schouler stated: “It was all just soft, that’s the one word we were thinking about. Softness of form, softness of color, softness of texture.”
To wrap this up we point out that coats took the lead. Generally and globally this item won when it came to presence and quantity as well as quality of design. So passion, warmth, softness and coats. Setting the stage for an ice age!
We picked the frozen cherries for you, straight off the international catwalks in New York, Milan and Paris.
FEMINITY REVEALED
From left to right: Rodarte, Saint Laurent, Louis Vuitton, Chloé and Prada
From pure exposure to more subtle revelations – intimacy exposed at Saint Laurent, emerging womanhood at Chloé, modern romance at Rodarte and passionate nostalgia at Vuitton and Prada. Sensuality and emotions unraveled in cinematic atmospheres showed femininity ‘under cover’ – soft lace hidden under long tweed coats, fluffy sweaters came with a slip of a skirt and velvet dresses had a swoop of neckline.
CALM ELEGANCE
From left to right: Jil Sander, Victoria Beckham, Hermès, Rochas, Ports 1961
A true timeless elegance flooded the catwalks at Jil Sander, Victoria Beckham, Hermès, Rochas and Ports 1961. Much more serene, feminine and sensual then the calm sobriety we faced seasons before. All soft and rounded. The skirts flaring just below the knee, showing true elegance in New Look proportions. Jackets elongated and slightly suppressed at the waist and coats – mannish and reassuringly oversize. All breathed calmness with lasting value in an esprit ranging from ‘Bon Chic Bon Genre’ to Film Noir allure. Slow, calm, quiet and with lasting value.
GREY MOOD
From left to right: Alexander Wang, Stella McCartney, Céline, J.W. Anderson, Lacoste
Concrete caught by the fuzz. Grayed-out and foggy marls were key for fall 2013. Brushed mohair, heathery and airy fleeces, compact felts and tarmac shaded double-face and bonded materials. This all added up to strange and sculptural beautiful cloths. Asphalt fleece and mohair knits are paved with iridescence at Alexander Wang, Stella McCartney wrapped her models in pinstripes, where Céline knotted hers in felt touch woolens. Monastic tunics at J.W. Anderson and fossil florals at Ports 1961.
Stylespot is a collaboration with Stijlinstituut Amsterdam
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First View Paris Womenswear FW2013: Bed Time
March 11, 2013 by Jetty
Filed under Fashion, Featured Items, Paris, Stijlspot, Stylespot, Trends, womenswear
Cosy is not the usual aspect spotted on a Paris catwalk. But nevertheless we met a snug bedtime spirit in Paris with models flaunting out of hotel rooms in silky, lush pyjamas, lace-edged-negligees and flowery dressing gowns. Roomy, soft robes that showed the generous proportions of menswear. Sensual and intimate voluptuous bathrobes lined in marabou. Fabulous, sheltering cashmere wrap-coats in baby blue, pink, camel and blush in smooth, winter-weight woolens and brushed plaids. And thick silk pyjamas printed with English tweed patterns or tender China florals.
Softness and desire seemed a re-found aspect, in touchable styles that established an intimate dialogue between the masculine and the feminine.
Carven is rounding out with oversize coats in teddy bear textures. Cinematic sceneries at Vuitton, in a film noir esprit, showing various states of dress and undress in a midcentury inspired atmosphere. Stella McCartney goes square, though softened, in snugly, velvet touch robe coats.
We noted a refreshing sense of ease, slightly quirky and off beat and an inspiring invitation to cuddle up.
Stylespot is a collaboration with Stijlinstituut Amsterdam
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First View Paris Womenswear SS2013: Drape to Go
October 2, 2012 by Jetty
Filed under Fashion, Featured Items, Paris, Stijlspot, Stylespot, Trends, womenswear
An ode to femininity! Embracing womanhood by wrapping ladies gracefully in luxurious layers of precious draped cloth. Slouchy softness in weighty wrap blouses and full trousers. Knotted and folded décolletées, peplums and roomy ribbons. All draped and dressed up to go in layers of luxurious georgette, soft, dense satins and heavy drape silks. Smooth polished surface looks in a sober and strict palette of pearl, silver, black and white. Wrapped, draped and swagged outfits make powerful statements about femininity and sensuality. Each fold minutely controlled, to realise such perfectionism needs in-depth sculptural knowledge of the human body and supreme tailoring skills.
Céline shifts from geometric minimalism to a much softer silhouette. Maison Martin Margiela drapes carefully and restrained. More statuesque and dramatic folds at Victor & Rolf as inspired by old Hollywood. Vandervorst covers as well as reveals in a way that reminds us of the classical antiquity.
Paris shows us a series of supreme crafted styles subtly sculpted by the grand masters of shape.
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First View Paris Womenswear ss2013: Futurist Foils
October 1, 2012 by Jetty
Filed under Events, Fashion, Featured Items, Paris, Stijlspot, Stylespot, Trends, womenswear
All about enchantment, entertainment, fun, freedom and sexiness. This soft side of techno in synthesised sheen. Optimistic vibes that reflect from iridescent surfaces. Sheer foils and parachute veils are layered over plain, cut, as well as printed opaques. Dress-up dresses, most in simple a-shapes, are slashed and cut in graphic shimmery blocks, as well as prettily patterned in luminous florals and arty and decorative abstracts.
Looks like playful exercises, mixing and matching layers and veils to trick and puzzle the eye.
Luminous surface looks add an alienating dimension to pure iconic shapes at Christian Dior. Rue du Mail plays with items, blocks and layers of mixed materials. Dior ’s ball gown skirts in featherweight organza are shot with pearlised reflections. Where Chalayan’s translucent, intergalactic sheen adds a virtual touch to sculpted geometric minimalism.
These futuristic and surreal surface effects revibe even the most classical couture silhouette.
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First View Paris Womenswear SS2013: the New Sexy
September 28, 2012 by Jetty
Filed under Fashion, Featured Items, Paris, Slideshow, Stijlspot, Stylespot, Trends, womenswear
Our first spot on Paris hints at a classical and mature approach towards fashion. Powerful silhouettes in pure black and white. Well known modernist geometry peppered with a swift whiff of sex. Smooth sensual and pure looks that reveal subtle glimpses of skin. All executed with tailored precision.
Expanding on traditional classical beauty and clearly inspired by historical archives but sprayed with modern gloss. Hard edge geometrics and sharp shoulders are softened with curved décolletées, sculptured volants and roomy pleated pants. Outfits suggest unashamed sex and sensual looseness but are staged with well-calculated sophistication and couture aspiration.
Balenciaga shows icons of sensuality and femininity in lingerie and swimsuit inspired tops matched with high waisted flat pleat pants. Balmain shows hard edge masculinity in broad shouldered power suits covering simple and sexy bandeaus. Carven is truly sculpting in curved sensual tailoring. Where Balenciaga was clearly intrigued by the Antique when shaping this revealing dress with meandering sculpted volants.
Who would ever have thought that the image of the ‘bare midriff’ could be raised up to classical standards?
Stylespot is a colleboration with Stijlinstituut Amsterdam
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Round Up Paris Womenswear FW2012
March 9, 2012 by Jetty
Filed under Fashion, Featured Items, Paris, Stijlspot, Stylespot, Trends, womenswear
We have seen some supreme tailoring in Paris, resulting in sensual rounded shapes, exaggerated and challenging proportions and exciting fabrics. The world is clearly connected and the runways as well. Power looks, sculptured contours and very literary historical references were all over the place. Where we first spotted a hint of powder pink romance this was too scarce to be labelled a strong influence. The general feeling of tough powerplay and getting ready to withstand challenging times is ruling. Executed in a careful play with the existing parameters of couture, yet tailored with the contemporary flavor for bold statements. Think big.
It was not just the silhouette that takes on new dimensions this season; there is also the stage. Vuitton and Chanel confirm the feel for drama, stage setting and grand gestures. Catwalks became movie-sets, the models actors and the garments costumes. To quote one of the grand old NY ladies in the wonderful upcoming documentary: ‘Advanced Style’. ‘I dress up everyday for the theatre of my life’. That reflects clearly the attitude of women who opt for the most eccentric looks that where shown in Paris past week. These represent the icing on a cake that tasted very well, but were confirming the fact that the flavors of cakes today are not regionally bound any more. Globalization is a fact in fashion.
Stylespot is a collaboration with Stijlinstituut Amsterdam
FIERCE
Givenchy and Yves Saint Laurent staged fierce and perseverance. Ferocious, brave and powerful women with a provocative attitude. Forceful shades as black and red gain power by leather sheen, high polish and slick coatings.
SCI FI
Balenciaga and Chanel teamed up showing challenging material with a science fiction character. Priestesses of techno cult in bonded materials, plastics, liquid films and technical coatings and foils.
SCULPTURE
Lanvin was the master of sculpture. An expression of exalted womanliness with a generous emphasis on the curve. Comme des Garçons took it to an extreme by showing models as paper cut dolls and labeling these as ‘the future in two dimensions’. The exaggeration of shape, the bringing back contours to the explicit essence, seems key.
HISTORY
Louis Vuitton takes us back in the old days by showing series of costume outfits that stand out by their absolute supreme elaboration and embellishment. Making history relevant once more by showing truly innovative skills and craftsmanship in embellishment, scattering crystals generously.
ORIENT
Style.com claims that Haider Ackermann has the most sophisticated color sense of anyone in Paris and we just want to confirm this. He seems to reflect on the orient; the passionate shades of the east in subtle monochrome harmonies are stunning and truly inspiring. This combined with the intricate and elaborate patterns Dries van Noten showed are great inspirations for garments that will please the crowd.
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Round Up Milan Womenswear FW2012
February 28, 2012 by Jetty
Filed under Fashion, Featured Items, Milan, Stijlspot, Stylespot, Trends, womenswear
Milan was all about beauty and redefining feminine presence. The importance of womanhood translated into powerful design. Reports noted clear, modern sensibility and elegance rooted in the classic past, but applied to today’s woman. From linear, architectural statements to rock and roll romance, from virtual princess looks, to pre-Raphaelite twists and martial arts references. Inspiration was well documented and there seems a clear wish to find the context behind these hybrid collections. Where New York mixed identities Milan reinforced them. We spotted impeccable tailoring, love for crafts and embellishment, sublime couture and a daring choice of materials inspired by the wish to tap into the duality of the 21st century woman.
Prada was much more then just ORIENTALIST, with a vibrant collection with strong contrast and sharp & graphic silhouettes. In these outfits we see a glint of the well spread oriental inspiration shining though with opulent, high tech embellishment. Marni also joined this direction.
Many designers explored a dark color palette, but the DARK VISION of Dolce & Gabbana was at the same time an Italianate vision of palazzo life. They showed, as Bottega Veneta and Aquilano.Rimondi did, a more costume message.
Sportmax explored details in martial arts dress forms and applied these to a TECHNO FORWARD collection, combining natural and tech materials with retro futurist flavor. As did Fendi and Max Mara.
Raf Simons at Jil Sander was one of the designers for whom it was ALL ABOUT BEAUTY, both impeccably tailored and meltingly soft. Bottega Veneta presented a more powerful woman, but also beautiful in every detail.
Missoni, Roberto Cavalli and Fendi showed their NATURALIST character by applying their masterful crafts to nature’s textures, weaving an urban wardrobe out of wood, stone, fur, tree bark, and mica-sparkled minerals.
Milan’s collections where strong, spirited and powerful.
Stylespot is a collaboration with Stijlinstituut Amsterdam
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First View Milan Womenswear FW2012: Techno Forward
February 27, 2012 by Jetty
Filed under Fashion, Featured Items, Milan, Stijlspot, Stylespot, Trends, womenswear
Show reports told us that Ennio Capasa of C’N’C Costume National had “imagined a woman in a virtual metropolis” who is “post-punk, post-chic but above all technological.”
It seems to cover the choice of many: Fabrics, like extra shiny, slick patent leather, seemed to take priority over flattering
fit, as robust outerwear came in boxy shapes with diagonal zippers. It was futuristic and powerful. Uniforms inspire, which shows in mechanical straight lines, Bauhaus minimalism and military and naval tailoring.
Fendi shows harness belts combined with silky sleek tops and flared plisse. C’N’C Costume National shows two girls zipped in square cut shapes combining the high gloss with the soft touch. Where Sportmax was obviously
inspired by the uniform of martial arts: Karate, judo and other elegantly dressed forms of fighting.
Stylespot is a collaboration with Stijlinstituut Amsterdam
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First View Milan Womenswear FW2012: Sharp & Graphic
February 26, 2012 by Jetty
Filed under Fashion, Featured Items, Milan, Stijlspot, Stylespot, Trends, womenswear
Pleasure and having a good time was the lead team for some of the designers in Milan this week. It translated itself in a series of glorious graphics and optimistic vibrancy. All had their reasons to come up with the full dose of color, black and white contrast and sharp metallics. The mood ranged from Rock Chick rebellion to retro reminiscence and faint memories of Robocop and Blade runner. Clearly this was not just about having fun. It was serious couture craftsmanship and a minute interest in shape and detail. We saw geometric print, graphic straight-line cutting and embellishment. Next to positively shining metallics, iridescence, shining foils, plasticised embroideries and holographic surfaces.
At Prada the pants made the story, but it was the embroidery in all its glassy glamor that brought an extra dimension to this powerful show, Versace showed some robotic retro futurism, where Moschino threw a parade with cheerleader skirts and uniform jackets, Prada again played with daring color harmonies in optical patterns and Blumarine staged (as well as Fendi) funkiest and artistic furs painted in more than bright colors.
Stylespot is a collaboration with Stijlinstituut Amsterdam
